青戏节外国剧组准备材料

：演出光盘（已收到剧本－中文（收到法文版不到京剧组演职人员护照复印件（未收到剧组本国演出证明文件（收到并国立、某某市字样，提供证明（翻译剧组每个人员签字的演出确认函（待剧团发回导演(有(剧照有，缺海报洛朗·巴森曾学习哲学并随后在巴黎十大Nanterre跟随阿瑟·、依蕾娜·波努、大卫·雷斯考特和让-伊夫鲁夫攻读导演学他经常与视觉戏剧专家大卫吉洪丁莫阿波合作尤其是Imomushi,Nuits,VariationsMarionnettes这几部作品，并在2010年为他创作了戏作品《OctopoulpeleVilain尼MC93剧场创作的中世纪惊险故事《疯女人还是世纪》2009年他成立梅斯剧团00年起Lage剧驻场表演关于整形手术的故《蒂莫珀里斯，》以及根据让-不列颠尼LaurentBazinstudiesphilosophy,heenterstheMasterofFineArtsinTheateratNanterre-ParisXwhereheistrainedwithdirectorssuchasArthurNauzyciel,IrèneBonnaud,DavidLescotandJean-YvesRuf.HeisaregularartisticcollaboratorofDavidGirondinMoab,especiallyfortheproductionsofImomushi,Nuits,VariationsMarionnettes,hewritesanddevelopstheprojectOctopoulpeleVilain,in2010forthecompany.Hisfirstdevisedworksasadirectoraremusicals:SignéCorbeauattheFoliesBergèreandgoontomedievalthriller:FolouleSiècled’OmbrescreatedatMC93Bobigny.In2009,hefoundstheMesdencompany.InresidenceatLaLogetheatresince2010,thecompanypresentsDysmopolis:afantastictaleonplasticsurgery,InsomniedesMurènes:atheatrechoreographyforthreedancersandoneactressandBritannicus,close-up,adaptedfromRacine’sCurrently,LaurentBazinisdevelovariousprojects,oneamongothersisadevisedcontemporaryoperaL’effetW(TheshowhadafirstjobstepatFestival“Croisements”inBeijinginLaurentBazinhasbeenselectedtobeafellowatVillaMedici,theFrenchacademyinRome,asofthe2015剧团介绍（中英文奥氏兄弟剧尔罗、让-米歇尔·焦林、克雷蒙·布雷松和瓦奈莎·冯特。2013年玛蒂尔德·普里奥莱特任副团长。和梅斯登剧梅斯登剧团的作品探索台词与影像之间不同类型的互动，从影响到现代，以创造戏剧叙事的同的创作等。利用本身看起来与戏剧并无太多关联的素材，例如、整形手术等，制作出触发我们思考的敏感的转折点，来对抗并质疑传统戏剧。梅斯登剧团凭作品《BadLittleBubbleB20136月获得Impatience戏剧节大奖。O’Brotherisasymbolicfraternityexclusivelyrunbyactors:FabienJoubert,ElsaGrzeszczak,GisèleTorterolo,Jean-MichelGuerin,ClémentBressonandVanessaFonte.MathildePriolet esassociatedirectorin2013.TheyareassociateartistsinresidenceattheSalmanazarinEpernay,France.MesdenFoundedbyLaurentBazin,Mesdendevelopsoriginalworkswithanongoingensemble.Mesden’stheatrepiecesarebuiltaroundabroadrangeofsubjectmatterwithcollaboratorsfromdifferentcraftsmanshiptorenewthepossibilitiesofliteraryformsandopentomultipledimensions(plasticarts,interpretation,musicality,technics…).Amongpreciousassociatecollaborators,wecanmentionSvendAndersenforphotographyandGabrielQuillacqforgraphicMesden’sworkexploresmultipletypesofinteractionbetweenspeechandimages,drawingitsworkfrommovieimagestocontemporarycomicstriptocreatenewnarratives,visualandsoundexperiments.Itsworkcombineselementsandstylessuchasitstopics,thatmayseematfirstsightfarfromtheatrematerials(comicbooks,plasticsurgery…).Mesden’sgististoconfrontandquestiontheatretraditionsbyproducingsensitivecrossroadsthattriggerourthoughts.MesdenreceivedtheImpatienceFestivalPriceinJune2013foritsshow:BadLittleBubbleB.1973年一些神秘的在巴黎流传上显示的都是已经死去的人的。这些出自一位通灵的摄影师埃德瓦多·布盖（EdouardBuguet）之手。对那那么是怎样的呢技术（直接显影、多重、对反光面的操控。他通过摄影的不同方式让人们Wearein1873.InParis,mysteriousphotographsonwhichappearshadesofdisappearedindividualsstarttospreadout.TheyareEdouardBuguet’spieceofwork,aFrenchpsychicphotographer.Forthededicatedfollowersofthehereafter,thesepicturesaretheobjectiveevidencethatghostsdoexist.Itsignsascientificdisavowalofmaterialismandimpiety.WhatreallyliesundertheToconveythisstory,LaurentBazintakesusinadiptychshow.First,weattendamock-upconferencewhichisjoyfullycobbledtogethertocontextualisehistoricalfactswhen,inasecondpart,wearetakenalongavisualtale,murkyandfantasticthroughtheeyesofthedaughter’sTwodifferentways-throughlightandnight-ofembracingthephenomenaofgriefandbeliefintheimage.TheshowhasbeenconceivedwiththecollaborationofSvendAndersen,whoisaprofessionalphotographer.Itisframedwithvariousvisualeffectstakenfromphotographicaltechnicsandinthisway,itaimstothinktheartofphotographythroughitsowndevices.主创及演职人员（中英文）克洛伊·苏赫构思与导演：洛朗·艺术合作与摄影创意：斯凡德·导演编剧助理：玛嘉利·斯亚灯光设计：依拉加尔··维尔斯尤设计：玛侬·紹赛SvendAndersenAudreyBonnefoyElsaGrzeszczakFabienJoubertChloéSourbetconceived&directedLaurentArtisticcollaborationandphotographicSvendAndersenAssistantdirectoranddramaturgyMagaliChiapponeLucchesiLightingYragaëlGervaiswiththecomplicityofAliceVersieuxSounddesignAlicyaKarsentyManonChoserotBérengèreNaulotAcoproductionbetweenMesden&O’Brother导演的话（中英文《归来》讲述的是19世纪摄影师埃德瓦多·布盖的故事。他让人们相信他女儿的角度讲述的神秘的戏第三部分则运用一个奇特的广播邀请我们非常高兴能够与中国观众这个关于信仰与希望的问题希望这部戏可以语言的打动。ThecomingofspiritsconveysthestoryofEdouardBuguet,a19thcenturyphotographerwhopretendedhecouldphotographghostsandwasludicrouslypaidforthat.Theshowisdevisedinthreeparts,eachsectionexploresaverydifferentscopeofdrama.ThefirstpartlookslikeawittyHistorylesson,thesecondisamysteriousshadowplaythatlsthestorythroughthephotographer’sdaughterscrutiny.T