某银行XXXX笔试阅读理解真题以及答案解析

1、 9/9中国银行20110笔试阅读读真题及答案案解析中国银行校园招招聘笔试英语语的难度跟六六级和考研的的难度差不多多，而且时间间非常紧张，根根本不够用的的。题型大致致分为：单选选（老六级）、改改错、完型、阅阅读、阅读新新题型（段落落排序、句子子排序）、快快速阅读等，题题量笔研究生生考试的题量量还要大，而而且时间只给给一个半小时时。本文为20100年笔试的阅阅读的一篇，并提供答案案解析以供参参考。Proponeents oof diffferennt jazzz styyles hhave aalwayss arguued thhat thheir ppredeccessorrs mmusica

2、al styyle diid nott incllude eessenttial ccharaccterisstics that definne jazzz as jazz. Thuss, 19440s swingg was belitttled by beeboppeers off the 1950s whho werre theemselvves atttackeed by free jazzees of the 11960s. Thhe neooboppeers off the 1980s annd 19990s attaccked aalmostt everrybodyy elsee.

3、 Thee titaanic ffiguree of BBlack saxopphonisst Johhn Colltranee has compllicateed thee arguumentss madee by pproponnents of sttyles from bebopp throough nneobopp becaause iin hiss own musiccal joourneyy he ddrew ffrom aall thhose sstyless. Hiss inflluencee on aall tyypes oof jazzz wass immeeasuraab

4、le. At thhe heiight oof hiss popuularitty, Cooltranne larrgely abanddoned playiing beebop, the sstyle that had bbroughht himm famee, to exploore thhe outter reeachess of jjazz.Coltrrane hhimsellf proobablyy beliieved that the oonly eessenttial ccharaccterisstic oof jazzz wass imprrovisaation, the on

5、e cconstaant inn his journney frrom beebop tto opeen-endded immproviisatioons onn modaal, Inndian, and Africcan meelodiees. Onn the otherr handd, thiis doggged sstudennt andd proddigiouus tecchniciian who iinsistted onn spennding hourss eachh day practticingg scalles frrom thheory bookss waas nevver

6、 abble too jetttison complletelyy the influuence of beebop, with its ffast aand ellaboraate chhains of nootes aand orrnamennts onn meloody.Two sstylisstic ccharaccterisstics shapeed thee way Coltrrane pplayedd the tenorr saxoophonee: he favorred pllayingg fastt runss of nnotes builtt on aa meloody a

7、nnd deppendedd on hheavy, reguularlyy acceented beatss. Thee firsst ledd Colttrane to shheets of soound” wherre he racedd fastter annd fasster, pile-driviing nootes iinto eeach oother to suuggestt staccked hharmonnies. The ssecondd meannt thaat hiss sensse of rhythhm wass almoost ass closse to rock

8、as too beboop.Threee recoordinggs illlustraate Cooltrannes energgizingg explloratiions. Recorrding Kind of Bllue wiith Miiles DDavis, Colttrane foundd himsself ooutsidde bopp, expplorinng moddal meelodiees. Heere hee playyed suurgingg, lenngthy soloss buillt larrgely arounnd reppeatedd motiifs an oo

9、rganiizing princciple unlikke thaat of free jazz saxopphone playeer Ornnette Colemman, wwho moodulatted orr alteered mmelodiies inn his soloss. On Giantt Stepps, Cooltranne debbuted as leeader, intrroduciing hiis ownn comppositiions. Here the ssheetss of ssound, downnbeat accennts, rrepetiitionss, a

10、ndd greaat speeed arre parrt of each solo, and the vvarietty of the sshapess of hhis phhrasess is uuniquee. Colltranees ssearchhing eexplorrationns prooducedd soliid achhievemment. My Faavoritte Thiings wwas annotherr kindd of wwatersshed. Here Coltrrane pplayedd the sopraano saaxophoone, aan insstr

11、umeent seeldom used by jaazz muusiciaans. MMusicaally, the rresultts werre asttoundiing. WWith tthe soopranoos ppipingg sounnd, iddeas tthat hhad sooundedd darkk and broodding aacquirred a feeliing off gidddy fanntasy.When Cooltranne beggan reecordiing foor thee Impuulse！ Labell, he was sstill searc

12、ching. His musicc becaame raaucouss, phyysicall. Hiss inflluencee on rrockerrs wass enorrmous, inclludingg Jimii Henddrix, the rrock gguitarrist, who, folloowing Coltrrane, raiseed thee exteended guitaar sollo using repeaated mmotifss to aa kindd of rrock aart foorm.The pprimarry purrpose of thhe te

13、xxt is toA ddiscusss thee placce of Coltrrane iin thee worlld of jazz and ddescriibe hiis mussical explooratioons.B eexaminne thee natuure off beboop andd conttrast it wiith immproviisatioonal jjazz.C aanalyzze thee musiical ssourcees of Coltrranes styyle annd theeir innfluennce onn his work.D ackkn

14、owleedge tthe innfluennce off Colttranes muusic oon rocck mussic annd rocck mussicianns.Whichh of tthe foollowiing beest deescribbes thhe orgganizaation of thhe fouurth pparagrraph？A AA thessis reeferreed to earliier inn the text is meentionned annd illlustraated wwith tthree speciific eexamplles.B

15、AA thessis iss statted annd thrree exxamplees aree giveen eacch sugggestiing thhat a correectionn needds to be maade too a thhesis referrred tto earrlier in thhe texxt.C AA thessis reeferreed to earliier inn the text is meentionned, aand thhree eexamplles arre preesenteed andd rankked inn ordeer of

16、theirr suppport oof thee thessis.D A tthesiss is sstatedd, thrree seeeminggly oppposinng exaampless are preseented, and theirr undeerlyinng corrrespoondencce is explaained.Accorrding to thhe texxt, Joohn Cooltranne didd all of thhe folllowinng durring hhis caareer EXCEPPTA iimprovvise oon mellodiess

17、 fromm a nuumber of diiffereent cuulturees.B pperforrm as leadeer as well as sooloistt.C sspend time improoving his ttechniical sskillss.D eliiminatte thee inflluencee of bbebop on hiis ownn musiic.Accorrding to thhe texxt a mmajor diffeerencee betwween CColtraane annd othher jaazz muusiciaans waas

18、theeA ddegreee to wwhich Coltrranes mussic enncompaassed all oof jazzz.B rrepetiition of mootifs that Coltrrane uused iin hiss soloos.C nnumberr of hhis owwn commposittions that Coltrrane rrecordded.D inddifferrence Coltrrane mmaintaained to muusicall techhniquee.In teerms oof itss tonee and form, t

19、he text can bbest bbe chaaracteerizedd asA ddogmattic exxplanaation.B iindignnant ddeniall.C eenthussiastiic praaise.D sspecullativee studdy.答案与考考点解析答案AA考点解析析本题是一一道中心主旨旨题。第一段段的倒数第一一、二句是全全文的中心主主旨句，全文文就是根据这这两句话展开开论述的。抓抓住这两句话话就可以找出出本题的正确确选项A.考考生在解题时时，尤其是破破解中心主旨旨题时，一定定要先找出全全文的中心主主旨句。答案CC考点解析析 这是一一道例（举）证

20、证与细节理解解题。第四段段第一句明确确指出“三张唱片为为科尔特兰尼尼富有活力的的探索提供了了证明”。这说明第第四段将讲述述三个例子用用来说明在前前一段即第三三段所提出的的论点。另外外这三个例子子是按着先后后顺序给出的的，因此本题题的正确选项项是C.考生生在解题时要要注意段落之之间的相互关关系，更要注注意句子之间间的相互关系系。答案DD考点解析析这是一道道细节理解题题型。本题属属于比较难的的题型，因为为本题的涉及及面比较广。本本题A、B、CC选项的内容容分别在第二二段第一句、第第四段第三四四句和第二段段第二句提到到过。故本题题的正确选项项应该是D.其实这道题题表面上非常常难，但是对对于善于捕捉捉

21、全文中心主主旨句的同学学来讲确比较较容易，因为为从第一段第第四句的原因因状语从句中中就可以推导导出本题的正正确答案D.考生在解题题时应时时牢牢记全文的中中心主旨句。答案AA考点解析析本题是一一道审题定位位题型。根据据本题题干中中的“otherr jazzz musiicianss”可将本题的的答案信息来来源定位在第第一段的第一一至四句，因因为在这四句句话中提到了了其它的爵士士音乐家。第第一段第四句句的状语从句句明确指出了了“Coltrrane”与其它音乐乐家的不同在在于他吸收了了各种风格的的爵士音乐。故故本题的正确确答案应该是是A.考生在在解题时应重重视审题定位位。答案CC考点解析析本题是一一

22、道归纳推导导题型。细心心的同学可从从本文作者在在论述时使用用的词语中推推导出本题的的正确答案CC.例如作者者在第一段第第四句的主语语上使用了“titannic fiigure”；在第五句句使用了“his iinflueencewas iimmeassurablle”；在最后一一段的第三句句使用了“his iinflueence was enormmous”，这都反映映了作者的“enthuusiasttic prraise”。考生在解解题时要重视视原文作者在在表达观点时时的遣词造句句。参考译文文不同的爵士士乐风格的支支持者一贯认认为他们前辈辈的音乐风格格没有包括那那些使爵士乐乐之所以成为为爵士乐

23、的本本质特征。这这样，二十世世纪五十年代代的比波普派派轻视二十世世纪四十年代代的摇摆音乐乐派，而他们们自己又受到到二十世纪六六十年代的自自由爵士派的的抨击。二十十世纪八十至至九十年代的的新比波普派派几乎对任何何其他人都进进行抨击。而而黑人萨克斯斯管巨匠约翰翰？科尔特兰兰尼使这些从从比波普派到到新比波普派派的支持者所所提出的主张张更加复杂化化，因为在他他自己的音乐乐例程中，他他经历了所有有这些风格。他他对所有爵士士音乐的风格格的影响是不不可估量的。在在他最受欢迎迎的时期，科科尔特兰尼基基本上放弃了了比波普风格格的演奏以便便探索爵士乐乐更深的处延延，然而正是是比波普风格格的演奏使得得他成名。科尔特兰尼尼自己可能认认为爵士乐的的唯一本质特特征就是即兴兴创作，这是是他从比波普普风格到对形形式音乐、印印度音乐、非非洲音乐的自自由即兴演奏奏的历程中一一直没有改变变的。另一方方面，这个顽顽强的学生和和异常的技巧巧家每天花几几个小时用以以练习理论书书籍上的曲谱谱，从未能完完全抛弃比波波普的影响，在在他的旋律中中可以找到带带有比波普特特点的快速和和精细的音符符以及修饰效效果。有两种风格格特征影响了了科尔特兰尼尼演奏男高音音萨克斯管的的方式：他喜喜欢对建立于于一种旋律上上的音符进行行快速的演奏奏，同时也依依赖于强