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1、PRICE$8.99JULY 1 1 & 18, 2016Follow 翻译MTI网 for morePDF magazine.JULY 11 & 18, 2016GOINGS ON ABOUT TOWN9THE TALK OF THE TOWNMark Singer on Donald Trumps image; Hillary; Gaigans; Michael Browns mother; James Surowiecki on whats next with Brexit.PROFILESThe MixologistThe ascent of a hip-hop pro

2、ducer.SHOUTS & MURMURSWedding AnnouncementLETTER FROM REYKJAVÍKCool RunningsPresidential politics Iceland style.AMERICAN CHRONICLESTrump Days27John Seabrook34Colin Nissan43Adam Gopnik44George Saunders50Upwith the candidate and his crowds.A REPORTER AT LARGEThe ThresholdThe life of a hospice

3、 nurse.FICTION“The Kings Teacup at Rest”SKETCHBOOK“Charles Atlas Shrugged”THE CRITICSA CRITIC AT LARGEOf ghettos and gentrication.BOOKSBriey NotedON TELEVISION“Orange Is the New Black.”THE CURRENT CINEMA“Café Society,” “Life, Animated.”POEMS“My Body Is an Injury the World” “Ars Poetica with Bac

4、on”COVER“A Day at the Beach”Larissa MacFarquhar62Michael Andreasen74Barry Blitt77Kelefa Sanneh8082Emily Nussbaum86Anthony Lane88Natalie ShaperoTerrance Hayes3678Kadir NelsonDRAWINGS Seth Fleishman, Jason Adam Katzenstein, Tom Toro, Zachary Kanin,Bruce Eric Kaplan, Robert Leighton, David Sipress, Pau

5、l Noth, Roz Chast, DannyShanahan, P. C. Vey, Liam Frs Walsh, Edward SteedSPOTS Miguel PorlanTHE NEW YORKER, JULY 11 & 18, 20161CONTRIBUTORSGeorge Saunders (“Trump Days,” p. 50)is the author of nine books, among them “The Braindead Megaphone” and “Lincoln in the Bardo,” his rst novel, which comes

6、 out in February.Larissa MacFarquhar (“The Threshold,”p. 62) is a staf writer. Her book,“Strang- ers Drowning: Grappling with Impos- sible Idealism, Drastic Choices, and the Overpowering Urge to Help,” came out last September.Mark Singer (Comment, p. 27) is a long-time writer for The New Yorker. His

7、 book “Trump and Me” has just been published.Adam Gopnik (“Cool Runnings,” p. 44)has written several books, including “Angels and Ages: Lincoln, Darwin, and the Birth of the Modern Age” and “The Table Comes First.”Kia Gregory (The Talk of the Town,p. 31) has written for the Times, the Philadelphia I

8、nquirer, and Philadelphia Weekly.Seymour Chwast (Illustration, p. 51) isdesigning and illustrating a new book, “Seymour Chwast at War with War.”John Seabrook (“The Mixologist,” p. 34)has published four books, including, most recently, “The Song Machine: In- side the Hit Factory.”Michael Andreasen (F

9、iction, p. 74),whose ction has appeared in Zoetrope: All-Story, is working on his rst col- lection of short stories.Natalie Shapero (Poem, p. 36) teachesat Tufts University. “No Object” is her rst poetry collection.Kelefa Sanneh (A Critic at Large, p. 80)is a staf writer.Kadir Nelson (Cover) is an a

10、rtist whosework is included in “The Picture Book Re-Imagined,” a group exhibit at the Pratt Manhattan Gallery, in New York.Anthony Lane (The Current Cinema,p. 88), the magazines lm critic, is the author of “Nobodys Perfect,” a collec- tion of his New Yorker essays.NEWYORKER.COMEverything in the maga

11、zine, and more.ELEMENTSWhy the term “couch potato” is falling out of use even though we spend more time in front of screens.Watch puppets from the Futuristplay “Demolishing Everything with Amazing Speed” come to life.SUBSCRIBERS: Get access to our magazine app for tablets and smartphones at theApp S

12、tore, A, or Google Play. (Access varies by location and device.)EMILY RHYNE; CHRIS PHILPOTTHBASIC INCOMEbig risk, to say nothing of her perfor-mance of thes song, “Formation,”James Surowieckis column on pro-posals to institute a universal basic in- comea stipend from the government for all citizensp

13、resents a number of persuasive arguments in favor of theat the Super Bowl, as an homage to theBlack Panthers. Als describes her fans, specically those waiting outside the auditorium of one of her shows, as “clusters of young black and Hispanic women” dressed to emphasize their be- hinds, as if Beyon

14、cés only efect has been on her fans wardrobes. Only briey does Als acknowledge Beyoncés im- pact on black female culture. No one ing the piece would have any senseidea (The Final Page, June 20th). Iwould add that there would also besignicant benets for women. Many women, particularly those

15、 who are poor and working class, perform a vast amount of laborcaring for children, the sick, the disabled, and the elderly that goes unpaid and unrecognized.This leaves many of them vulnerable to pov- erty, exploitative relationships, and vi-of the depth and bth of the signi-cance of “Lemonade,” wh

16、ich hasmany black women feel seen, honored, and empowered. At last, the lives and bodies (and minds and feelings) of the brown ladies huddled outside the au- ditorium are being valued.Johari TownesLos Angeles, Calif.1THE COST OF EDUCATIONI appreciated R. Kikuo Johnsons cover illustration of a 2015 c

17、ollege graduate working on a maintenance crew during this years commencement ceremony (Cover, May 30th). In 2006, when I was twenty-four, I worked as a janitor at Em- erson College, my alma mater.debt, along with income disparity, are highlighted in nearly every news cycle, yet blue-collar professio

18、ns are often viewed with contempt. I am a veteran of the Iraq War and the rst in my fam- ily to graduate from college. Owing largely to the employee benets I earned through Emerson, I paid for my entire education without incurring any debt. I owe Emerson nothing except my thanks. Blue-collar work is

19、 not an option of lastolence. (, many women stay withtheir abusive partners because they can-not survive economically without them.) Not only would a universal basic in- come increase workers bargaining power, as Surowiecki notes; it would also in- crease womens bargaining power within their househo

20、lds.Rachel Elfenbein Walla Walla, Wash.1DECONSTRUCTING BEYONCÉHilton Alss article on Beyoncés most recent album, “Lemonade,” might havebeen an opportuto consider thecurrent state of afairs among blackwomen (“Beywatch,” May 30th). In- stead, Als dismisses both Beyoncé and her audience.

21、 He faults her for mak- ing money, for collaborating with her husband, for appealing to men, and for attempting to be political, but not authentically enough. He dismisses “Lemonade” as merely “an attempt at storytelling,” even though the response among women shows that many feel the album tells the

22、ir storiesof his- tory, geography, Yoruba traditions, loss, strife, and more. Als contrasts Beyoncé with Erykah Badu, saying that she, unlike Badu, would “never risk being unpopular.” Yet Beyoncé recentlyresort. Taking on endlessshould be.Russell J. Cornelia,debtLetters should be sent with

23、 the writers name,ain which she is lying on theaddress, and daytime phone number viatoth . Letters may be edited for length and clarity, and may be published in any medium. We regret that owing to the volume of correspondence we cannot reply to every letter.roof of a New Orleanscar as itsinks into o

24、odwatera racially chargedpolitical statement that was certainly aTHE NEW YORKER, JULY 11 & 18, 20163JULY 6 19, 2016GOINGS ON ABOUT TOWNAfter spending last summer yachting on the Hudson (and charging for tickets), the sixth annual 4 KnotsMusic Festival returns home to the South Street Seaport on

25、July 9 for aafternoon of salty rifs. Thereare plenty of acts to prioritize on its best bill yeta reinvented Guided by Voices, a germinated Car SeatHeadrestbut Cleo Tucker and Harmony Tividads school-bus shout-alongs as Girlpool may play the sweetest over the East River Bikeway. “This life is pretty,

26、” the duo says; Water Street revellers would agree.PHOTOGRAPH BY MAYAN TOLEDANOPark W. and W. 103rd St. entrance, the audi- ence of a couple hundred would periodically pick up their blankets and folding chairs and hap- pily follow the action to various sites around the body of water known as the Poo

27、l. Other nat- ural venues for this troupe specializing in pan- oramic productions include Rockefeller Park, Prospect Park, and Carl Schurz Park. Sean Ha- gerty directs an energetic, strong-lunged cast of twelve in the Bards dizzy, delirious, bighearted comedy. Later in the summer, to challenge the d

28、og days, the company will present “The Win- ters Tale.” (Various locations. .)THE THEATRE1PTP/NYCPotomac Theatre Project presents two 1981 plays in repertory: Howard Barkers “No EndOPENINGS AND PREVIEWSButlerRichard Strands play, directed by Joseph Discher, tells the true story o

29、f General Benjamin Butlers moral crisis when three escaped slaves arrived at Fort Monroe in 1861 seeking sanctuary. (59E59, atof Blame: Scenes of Overco,” about a Hun-garian political cartoonist sparring with govern- ment censors, and C. P. Taylors “Good,” in whicha professor studies a German man su

30、ccumbingto madness. (AtlStage 2, at 330 W. 16th St.The Paper Hat GameTo call this a puppet show would be a radical un- derstatement. The ifty-minute piece, created and directed by Torry Bend, combines puppetry, footage, illustrations, a gritty soundtrack,and human hands constructing hats out of news

31、- papers. The bare-bones plot onto which the mixed media are layered is at once simple and psycholog- ically complex: a playful urban saintbased on the real Chicago (now Seattle) prankster Scotty Iseridoles out paper hats to strangers in the sub- way, until one day he experiences a traumatic event t

32、hat threatens to rob him of his good nature. Will he grow cold and retreat from the world, or show resilience and continue to create ripples of pos- itive energy with his merrymaking? The dream- like dénouement lends itself to multiple inter- pretations, any of which promises to reward the curi

33、ous theatregoer. (3LD Art & Technology Cen-59 E. 59th St. Previews begin July 14.). In previews. Opens July 12.)CatsThe return of Trevor Nunns long-running pro- duction of the Andrew Lloyd Webber musical, based on T. S. Eliots “Old Possums Book of Practical Cats” and featuring Leona Lewis as Gri

34、zabella. (Neil Simon, 250 W. 52nd St. 877-250- 2929. Previews begin July 14.)Runaways“Encores! Of-Center” stages a concert version of the late Elizabeth Swadoss experimental mu- sical from 1978, drawn from her interactions with young runaways and featuring a cast of New York City teen-agers. (City C

35、enter, 131 W. 55th St. 212- 581-1212. July 6-9.)EngagementsIn Lucy Teitlers dark comedy, directed by Kim- berly Senior for Second Stage Theatre Uptown, a young woman causes trouble at a series of summer engagement parties. (McGinn/Cazale, 2162 Broad-Simon SaysBrian Murray stars in a thriller by Mat

36、Schafer, in which a young psychic and a retired profes- sor try to solve a two-thousand-year-old murder. Myriam Cyr directs. (Lynn Redgrave, 45 Bleeckerway, at 76th St. Previews begin July 18.)St. In previews. Opens July 9.)Hyperbolic! (The Last Spectacle)Monstah Blacks dance-theatre piece, the cen-

37、 terpiece of the twenty-ifth annual “HOT!” fes- tival of queer-focussed work, imagines the last party ever in a distant future. (Dixon Place, 161ASmall Mouth SoundsA return engagement of Bess Wohls comedy, di- rected by Rachel Chavkin, in which six urban- ites attend a silent retreat in upstate New

38、York. (Pershing Square Signature Center, 480 W. 42nd St. In previews. Opens July 13.)ter, 80 Greenwich St. Through July 17.)Sense & SensibilityThose who prefer their Jane Austen demure shouldChrystie St. Opens July 8.)keep a restorative slug ofira wine at theKanze Noh TheatreLincoln Center Festi

39、val kicks of with a presen- tation of works from the centuries-old Japa genre Noh, directed by Kiyokazu Kanze, the twenty-sixth Grand Master of the Kanze School.Troilus and CressidaDaniel Sullivan directs the second ofering of the Publics Shakespeare in the Park season. The cast includes Andrew Burn

40、ap, Ismenia Mendes, Corey Stoll, and John Douglas Thompson. (Dela- corte, Central Park. Enter at 81st St. at Central Parky. The rest of us can relax and disport ourselvesat Bedlams galloadaptation of Austens 1811novelback for an encore runabout the roman-tic trials of the Dashwood sisters, Elinor (a

41、 superb Andrus Nichols) and Marianne (Kate Hamill), spirited young women pauperized by their fa- thers death. The director, Eric Tucker, isnt oneIn Japa, with English supertitles. (Rose The-atre, 60th St. at Broadway. July 13-17.)W. Previews begin July 19.)to let hiors sit around and embroider. They

42、1Motown the MusicalThe 2013 musical, which uses the Motown cat- alogue to trace the rise of Diana Ross, Smokey Robinson, and other musicians, returns for an eighteen-week run. Berry Gordy, Jr., the founder of Motown, wrote the book. (Nederlander, 208are nearly always on their feetrolling wheeledNOW

43、PLAYINGscenery, trading bits of gossip, whirling in anachro- nistic dances, or tussling in a rugby scrum. Tucker should have let them have an occasional rest and allowed the climactic scenes to unfurl with more gravitas. But the show has ample energy and mis-The Golden BrideThough the script and sco

44、re are painstaking re- creations of a once-popular Yiddish musical comedy, last staged in New York City in 1948, this muscular production is no museum piece: Bryna Wasserman and Motl Didner direct a buoyant, full-voiced cast of twenty, and Zalmen Mloteks fourteen-piece or- chestra shifts efortlessly

45、 between Old World melan- cholia and New World swing. (Izzy Fields deserves special notice for a delectable array of period cos- tumes.) The plot is lufa woman raised in a Rus- sian shtetl inherits a fortune, moves to America, and ofers marriage to any suitor who can ind her motherbut even at its si

46、lliest its an often touch- ing time capsule of the hopes and fantasies of Jewish immigrants circa 1923 (complete with an unexpected anthem extolling “the new Russia”). The story ends with a masquerade ball, but the whole show glows with the joy and energy of a great party. In Yiddish, with English a

47、nd Russian supertitles. (Museum ofW. 41st St. Opens July 12.)chief, and, if soance is lost, much is gainedin giving inventive performers such rein. (Gym atNew York Musical FestivalThe festival returns for its thirteenth year, with selec- tions including “The Gold,” about a German Jewish boxer in the

48、 nineteen-thirties; “Camp Rolling Hills,” set at a summer camp for tweens; and “Ludos Broken Bride,” about a man who travels to the beginning and end of time. (Various locations. . Opens July 11.)Judson, 243 Thompson St.)1ALSO NOTABLEAn Act of God Booth. Cirque du SoleilPar- amour Lyric. The

49、 Color Purple Jacobs. The Crucible Walter Kerr. Through July 17. The Effect Barrow Street Theatre. Fiddler on the Roof Broadway Theatre. Fully Committed Ly- ceum. Fun Home Circle in the Square. Ha- destown New York Theatre Workshop. Ham- ilton Richard Rodgers. The Healing Clurman. Through July 16. H

50、imself and Nora Minetta Lane Theatre. The Humans Helen Hayes. Ice Fac- tory 2016 New Ohio. Incognito City Center Stage I. Through July 10. On the Verge; or, The Geography of Yearning Walkerspace. Through July 9. Out of the Mouths of Babes Cherry Lane. School of Rock Winter Garden. She Loves Me Studi

51、o 54. Through July 10. Shuffle Along Music Box. Turn Me Loose Westside. Through July 17. Waitress Brooks Atkinson.OsloBartlett Sher directs J. T. Rogerss play, which re-counts how a Norwegian diplomat (Jennifele)and her husband (Jeferson Mays) orchestrated the secret talks that led to the Oslo Accor

52、ds, inthe nineties. (Mitzi E. Newhouse, 150 W. 65thSt. In previews. Opens July 11.)Jewish Heritage, 36 Battery Pl.)PrivacyDaniel Radclife, DeAdre Aziza, and Rachel Dratch star in James Grahams interactive, interview-based work, which explores issues of privacy in the digital age. Josie Rourke direct

53、s the Donmar Wa ouse co-production. (Public, 425A Midsummer Nights DreamTo attend thesepresentations of Shake-speare in the parks, by New York Classical The- atre, theres no waiting in line, but there is somelight hiking involved. At a recent early-evening performance in Central Park, near the Centr

54、alLafayette St.In previews. Opens July 18.)10THE NEW YORKER, JULY 11 & 18, 20161GALLERIESUPTOWNARTFerenc BerkoIf the Hungarian-born photographers name rings a bell, it might be for his pictures of Aspen, the ski resort whose image he helped burnish in the mid-twentieth century in magazines like

55、Look and Life. (Berko died there in 2000, at the age of eighty-four). But he was also a key avant- gardist, a protégé of Moholy-Nagy, and a pio- neer of color processes. Displaced by the war in the thirties, Berko travelled to London, Barce-1MuseBarrioMUSEUMS AND LIBRARIES“Antonio Lopez: F

56、uture Funk Fashion”The Puerto-Rico-born fashion illustrator and pho- tographer, who signed his work simply “Antonio,” was only forty-four when he died, in 1987, but hed been remarkably proliic for decades: Womens Wear Daily irst published his drawings in 1963, while heMOMA PS1“Forty”In 1976, the adv

57、enturous curator Alanna Heiss invited a group of artists to do as they wished in a dilapidated former public school in Queens. Gordon Matta-Clark, notoriously, tore up the loorboards. Four decades later, PS1 (now run by MOMA) remains one of Americas most important centers for new art. Rather than slavishly re-creating the museums landmark inauguration, this wily love letter echoes it, re- introducing artists from the days of cold-water lofts and municipal bankruptcy in a combina- tion of old and new work. (On iPods through- out