最后一片叶子英文原文

1、精品文档最后一片叶子英文原文In a little district west of Washington Square the streets have run crazy and broken themselves into small strips called "places." These "places" make strange angles and curves. One Street crosses itself a time or two. An artistonce discovereda valuablepossibilityin

2、thisstreet.Suppose a collectorwitha bill for paints, paper and canvas should, in traversing this route, suddenlymeet himself coming back, without a cent having been paid on account!So, to quaint old Greenwich Village the art people soon came prowling,hunting for north windows and eighteenth-century

3、gables and Dutch attics andlow rents. Then they imported some pewter mugs and a chafing dish or two fromSixth Avenue, and became a "colony."At the topof a squatty,three-storybrickSue and Johnsy had theirstudio."Johnsy"was familiarforJoanna.One was from Maine;the otherfrom Califor

4、nia.They had met at the table d'hôte of an Eighth Street "Delmonico's," andfound their tastes in art, chicory salad and bishop sleeves so congenial thatthe joint studio resulted.That was in May. In November a cold,unseen stranger,whomthe doctorscalledPneumonia, stalked ab

5、out the colony, touching one here and there with his icyfingers. Over on the east side this ravager strode boldly, smiting his victimsby scores,but hisfeettrodslowlythroughthe maze of the narrowand moss-grown"places."Mr. Pneumonia was notwhat you would calla chivalricoldgentleman.A miteof

6、a littlewoman withbloodthinnedby Californiazephyrswas hardlyfairgamefor the red-fisted, short-breathed old duffer. But Johnsy he smote; and shelay, scarcely moving, on her painted iron bedstead, looking through the smallDutch window-panes at the blank side of the next brick house.One morning the bus

7、y doctor invited Sue into the hallway with a shaggy,grey eyebrow."She has one chance in - let us say, ten," he said, as he shook down themercury in his clinical thermometer. " And that chance is for her to want tolive. This way people have of lining-u on the side of the undertaker mak

8、es theentire pharmacopoeia look silly. Your little lady has made up her mind thatshe's not going to get well. Has she anything on her mind?""She - she wanted to paint the Bay of Naples some day." said Sue."Paint? - bosh! Has she anything on her mind worth thinking twice - a m

9、anfor instance?""A man?" said Sue, with a jew's-harp twang in her voice. "Is a man worth- but, no, doctor; there is nothing of the kind.""Well, it is the weakness, then," said the doctor. "I will do all thatscience,so faras itmay filterthroughmy efforts,ca

10、n accomplish.But whenever。1欢迎下载精品文档my patient begins to count the carriages in her funeral procession I subtract50 per cent from the curative power of medicines. If you will get her to askone question about the new winter styles in cloak sleeves I will promise youa one-in-five chance for her, instea

11、d of one in ten."After the doctor had gone Sue went into the workroom and cried a Japanesenapkinto a pulp.Then she swaggered intoJohnsy'sroom withher drawingboard,whistling ragtime.Johnsy lay, scarcely making a ripple under the bedclothes, with her facetoward the window. Sue stopped whistli

12、ng, thinking she was asleep.She arranged her board and began a pen-and-ink drawing to illustrate amagazine story. Young artists must pave their way to Art by drawing picturesfor magazine stories that young authors write to pave their way to Literature.As Sue was sketching a pair of elegant horseshow

13、 riding trousers and amonocle of the figureof the hero,an Idaho cowboy, she heard a low sound, severaltimes repeated. She went quickly to the bedside.Johnsy's eyes were open wide. She was looking out the window and counting- counting backward."Twelve,"she said,and little later "el

14、even" and then "ten,"and "nine"and then "eight" and "seven", almost together.Sue look solicitously out of the window. What was there to count? Therewas only a bare, dreary yard to be seen, and the blank side of the brick housetwentyfeetaway. An old,old iv

15、yvine,gnarledand decayed at the roots,climbedhalf way up the brick wall. The cold breath of autumn had stricken its leavesfrom the vine untilits skeleton branches clung, almostbare, to the crumblingbricks."What is it, dear?" asked Sue."Six,"saidJohnsy,in almosta whisper."The

16、y'refallingfasternow. Threedays ago there were almost a hundred. It made my head ache to count them. Butnow it's easy. There goes another one. There are only five left now.""Five what, dear? Tell your Sudie.""Leaves.On theivyvine.When the lastone fallsI must go, too.I'

17、;veknownthat for three days. Didn't the doctor tell you?""Oh, I never heard of such nonsense,"complainedSue, withmagnificentscorn."What have old ivy leaves to do with your getting well? And you used to lovethat vine so, you naughty girl. Don't be a goosey. Why, the doctor

18、 told methismorning that your chances for getting well real soon were - let's see exactlywhat he said - he said the chances were ten to one! Why, that's almost as gooda chance as we have in New York when we ride on the street cars or walk pasta new building.Try to takesome brothnow, and letS

19、udie go back to her drawing,。2欢迎下载精品文档so she can sell the editor man with it, and buy port wine for her sick child,and pork chops for her greedy self.""You needn't get any more wine," said Johnsy, keeping her eyes fixed outthe window. "There goes another. No, I don't want

20、 any broth. That leaves justfour. I want to see the last one fall before it gets dark. Then I'll go, too.""Johnsy, dear," said Sue, bending over her, "will you promise me to keepyour eyes closed, and not look out the window until I am done working? I musthand thosedrawings in

21、by to-morrow.Ineed the light,or Iwoulddraw theshadedown.""Couldn't you draw in the other room?" asked Johnsy, coldly."I'd rather be here by you," said Sue. "Beside, I don't want you to keeplooking at those silly ivy leaves.""Tell me as soon as you

22、have finished," said Johnsy, closing her eyes, andlying white and still as fallen statue, "because I want to see the last onefall. I'm tired of waiting.I'm tired of thinking. I want to turn loose myholdon everything, and go sailing down, down, just like one of those poor, tiredleav

23、es.""Try to sleep," said Sue. "I must call Behrman up to be my model for theold hermitminer. I'llnotbe gone a minute.Don'ttryto move 'tilIcome back."Old Behrman was a painter who lived on the ground floor beneath them. Hewas past sixty and had a Michael Angelo

24、9;s Moses beard curling down from thehead of a satyr along with the body of an imp. Behrman was a failure in art.Forty years he had wielded the brush without getting near enough to touch thehem of his Mistress's robe. He had been always about to paint a masterpiece,but had never yet begun it. Fo

25、r several years he had painted nothing exceptnow and then a daub in the line of commerce or advertising. He earned a littleby serving as a model to those young artists in the colony who could not paythe price of a professional. He drank gin to excess, and still talked of hiscoming masterpiece. For t

26、he rest he was a fierce little old man, who scoffedterribly at softness in any one, and who regarded himself as especialmastiff-in-waiting to protect the two young artists in the studio above.Sue found Behrman smellingstronglyofjuniperberriesin hisdimly lightedden below. In one corner was a blank ca

27、nvas on an easel that had been waitingthere for twenty-five years to receive the first line of the masterpiece. Shetold him of Johnsy's fancy, and how she feared she would, indeed, light andfragileas a leaf herself, float away,when her slighthold uponthe worldgrewweaker.Old Behrman, withhisredey

28、esplainly streaming, shoutedhiscontempt andderision for such idiotic imaginings.。3欢迎下载精品文档"Vass!" he cried. "Is dere people in de world mit der foolishness to diebecause leafs dey drop off from a confounded vine? I haf not heard of such athing. No, I will not bose as a model for your

29、fool hermit-dunderhead. Vy doyou allow dot silly pusiness to come in der brain of her? Ach, dot poor leetleMiss Yohnsy.""She is veryilland weak," saidSue, "and the feverhas lefther mind morbidand full of strangefancies. Very well, Mr. Behrman, if you do not care toposefor me, you

30、 needn't. But I think you are a horrid old - old flibbertigibbet.""You are just like a woman!" yelled Behrman. "Who said I will not bose?Go on. I come mit you. For half an hour I haf peen trying to say dot I am readyto bose. Gott! dis is not any blace in which one so goot as

31、Miss Yohnsy shalllie sick. Some day I vill baint a masterpiece, and ve shall all go away. Gott!yes."Johnsy was sleeping when they went upstairs. Sue pulled the shade down tothe window-sill,and motionedBehrman intotheotherroom. In therethey peeredout the window fearfully at the ivy vine. Then th

32、ey looked at each other fora moment without speaking. A persistent, cold rain was falling, mingled withsnow. Behrman, in his old blue shirt, took his seat as the hermit miner on anupturned kettle for a rock.When Sue awoke from an hour's sleep the next morning she found Johnsy withdull, wide-open

33、 eyes staring at the drawn green shade."Pull it up; I want to see," she ordered, in a whisper.Wearily Sue obeyed.But, lo! after the beating rain and fierce gusts of wind that had enduredthrough the livelong night, there yet stood out against the brick wall one ivyleaf. It was the last one

34、on the vine. Still dark green near its stem, withits serrated edges tinted with the yellow of dissolution and decay, it hungbravely from the branch some twenty feet above the ground."It is the last one," said Johnsy. "I thought it would surely fall duringthe night. I heard the wind. I

35、t will fall to-day, and I shall die at the sametime.""Dear, dear!" said Sue, leaning her worn face down to the pillow, "thinkof me, if you won't think of yourself. What would I do?"But Johnsy did not answer. The lonesomest thing in all the world is a soulwhen it is makin

36、g ready to go on its mysterious, far journey. The fancy seemedto possess her more stronglyas one by one the tiesthatbound her to friendshipand to earth were loosed.The day wore away, and even through the twilight they could see the lone ivy leaf clinging to its stem against the wall. And then, with

37、the coming of。4欢迎下载精品文档the night the north wind was again loosed, while the rain still beat against the windows and pattered down from the low Dutch eaves.When it was light enough Johnsy, the merciless, commanded that the shade be raised.The ivy leaf was still there.Johnsy lay for a long time lookin

38、g at it. And then she called to Sue, who was stirring her chicken broth over the gas stove."I've been a bad girl, Sudie," said Johnsy. "Something has made that last leaf stay there to show me how wicked I was. It is a sin to want to die. You may bring a me a little broth now, and

39、some milk with a little port in it, and- no; bring me a hand-mirror first, and then pack some pillows about me, and I will sit up and watch you cook."And hour later she said:"Sudie, some day I hope to paint the Bay of Naples."The doctorcame in the afternoon,and Sue had an excuse to go

40、 intothe hallwayas he left."Even chances," said the doctor, taking Sue's thin, shaking hand in his."Withgood nursingyou'llwin."And now I must see anothercase I have downstairs.Behrman, his name is - some kind of an artist, I believe. Pneumonia, too. Heis an old, weak man,

41、 and the attack is acute. There is no hope for him; buthe goes to the hospital to-day to be made more comfortable."The next day the doctorsaidto Sue: "She'sout of danger.You won. Nutritionand care now - that's all."And that afternoon Sue came to the bed where Johnsy lay, conte

42、ntedlyknitting a very blue and very useless woollen shoulder scarf, and put one armaround her, pillows and all."I have something to tell you, white mouse," she said. "Mr. Behrman diedof pneumonia to-dayin the hospital.He was illonlytwo days.The janitorfoundhim the morning of the first

43、 day in his room downstairs helpless with pain.His shoes and clothing were wet through and icy cold. They couldn't imaginewhere he had been on such a dreadfulnight.And then theyfound a lantern,stilllighted, and a ladder that had been dragged from its place, and some scatteredbrushes, and a palet

44、te with green and yellow colours mixed on it, and - lookout the window, dear, at the last ivy leaf on the wall. Didn't you wonder whyit never fluttered or moved when the wind blew? Ah, darling, it's Behrman'smasterpiece - he painted it there the night that the last leaf fell."基本简介：真

45、实姓名：威廉· 西德尼 · 波特 (William Sydney Porter)笔名：欧 · 亨利 (O.Henry)生卒年代：。5欢迎下载精品文档美国著名批判现实主义作家，世界三大短篇小说大师之一。（欧· 亨利、莫泊桑、契诃夫）原名威廉 · 西德尼 ·波特（ William Sydney Porter），是美国最著名的短篇小说家之一， 曾被评论界誉为曼哈顿桂冠散文作家和美国现代短篇小说之父。他出生于美国北卡罗来纳州格林斯波罗镇一个医师家庭。基本信息：他的一生富于传奇性，当过药房学徒、牧牛人、会计员、土地局办事员、新闻记者、银行出纳员

46、。当银行出纳员时，因银行短缺了一笔现金，为避免审讯，离家流亡中美的洪都拉斯。后因回家探视病危的妻子被捕入狱，并在监狱医务室任药剂师。他创作第一部作品的起因是为了给女儿买圣诞礼物，但基于犯人的身份不敢使用真名，乃用一部法国药典的编者的名字作为笔名。1901 年提前获释后迁居纽约，专门从事写作。欧 · 亨利善于描写美国社会尤其是纽约百姓的生活。 他的作品构思新颖， 语言诙谐，结局总使人 “ 感到在情理之中，又在意料之外 ” ；又因描写了众多的人物，富于生活情趣，被誉为 “ 美国生活的幽默百科全书 ” 。代表作有小说集 白菜与国王 、四百万 、命运之路等。其中一些名篇如爱的牺牲、警察与赞美

47、诗、麦琪的礼物（也称作贤人的礼物）、带家具出租的房间、最后一片藤叶等使他获得了世界声誉。名句： “ 这是一种精神上的感慨油然而生，认为人生是由啜泣、抽噎和微笑组成的，而抽噎占了其中绝大部分。” ( 欧 · 亨利短篇小说选)作者简介：1862年 9 月 11 日，美国最著名的短篇小说家之 欧 ·亨利（ O.Henry ）出生于美国北卡罗来纳州有个名叫格林斯波罗的小镇。曾被评论界誉为曼哈顿桂冠散文作家和美国现代短篇小说之父。1862 年他出身于美国北卡罗来纳州格林斯波罗镇一个医师家庭。父亲是医生。他原名威廉· 西德尼 · 波特 (William Sydney

48、 Porter)。他所受教育不多，15 岁便开始在药房当学徒，20 岁时由于健康原因去德克萨斯州的一个牧场当了两年牧牛人，积累了对西部生活的亲身经验。1884 年以后做过会计员、土地局办事员、 新闻记者。 此后，他在德克萨斯做过不同的工作，包括在奥斯汀银行当出纳员。他还办过一份名为滚石的幽默周刊，并在休斯敦一家日报上发表幽默小说和趣闻逸事。 1887 年，亨利结婚并生了一个女儿。正当他的生活颇为安定之时，却发生了一件改变他命运的事情。1896 年，奥斯汀银行指控他在任职期间盗用资金。他为了躲避受审，逃往洪都拉斯。1897 年，后因回家探视病危的妻子被捕入狱，判处5 年徒刑。在狱中曾担任药剂师，

49、他创作第一部作品的起因是为了给女儿买圣诞礼物，但基于犯人的身份不敢使用真名，乃用一部法国药典的编者的名字作为笔名，在麦克吕尔杂志发表。 1901 年，因 “ 行为良好 ” 提前获释，来到纽约专事写作。正当他的创作力最旺盛的时候，健康状况却开始恶化，于1910 年病逝。名作欧 · 亨利在大概十年的时间内创作了短篇小说共有300 多篇，收入白菜与国王(1904)其唯一一部长篇，作者通过四五条并行的线索，试图描绘出一幅广阔的画面，在写法上有它的别致之处。不过从另一方面看，小说章与章之间的内在联系不够紧密，。6欢迎下载精品文档各有独立的内容 、四百万 (1906)、西部之心(1907) 、市

50、声 (1908) 、滚石(1913)等集子，其中以描写纽约曼哈顿市民生活的作品为最著名。他把那儿的街道、小饭馆、破旧的公寓的气氛渲染得十分逼真，故有“ 曼哈顿的桂冠诗人” 之称。他曾以骗子的生活为题材，写了不少短篇小说。作者企图表明道貌岸然的上流社会里，有不少人就是高级的骗子，成功的骗子。欧· 亨利对社会与人生的观察和分析并不深刻，有些作品比较浅薄，但他一生困顿，常与失意落魄的小人物同甘共苦，又能以别出心裁的艺术手法表现他们复杂的感情。他的作品构思新颖，语言诙谐，结局常常出人意外；又因描写了众多的人物，富于生活情趣，被誉为“ 美国生活的幽默百科全书” 。因此，他最出色的短篇小说如爱的

51、牺牲(A Service of Love) 、警察与赞美诗 (The Cop andthe Anthem) 、带家具出租的房间(The FurnishedRoom)、麦琪的礼物 (The Giftof the Magi)、最后的常春藤叶（The Last Leaf）等都可列入世界优秀短篇小说之中。他的文字生动活泼， 善于利用双关语、 讹音、谐音和旧典新意， 妙趣横生 , 被喻为 含泪的微笑 。他还以准确的细节描写，制造与再现气氛，特别是大都会夜生活的气氛。手法欧 · 亨利还以擅长结尾闻名遐迩， 美国文学界称之为 “ 欧 · 亨利式的结尾 ” 他善于戏剧性地设计情节，埋下伏笔

52、，作好铺垫，勾勒矛盾，最后在结尾处突然让人物的心理情境发生出人意料的变化，或使主人公命运陡然逆转，使读者感到豁然开朗，柳暗花明，既在意料之外，又在情理之中，不禁拍案称奇，从而造成独特的艺术魅力。有一种被称为 “ 含泪的微笑 ” 的独特艺术风格。 欧 · 亨利把小说的灵魂全都凝聚在结尾部分，让读者在前的似乎是平淡无奇的而又是诙谐风趣的娓娓动听的描述中，不知不觉地进入作者精心设置的迷宫，直到最后，忽如电光一闪，才照亮了先前隐藏着的一切，仿佛在和读者捉迷藏，或者在玩弄障眼法，给读者最后一个惊喜。在欧· 亨利之前，其他短篇小说家也已经这样尝试过这种出乎意料的结局。但是欧 ·

53、; 亨利对此运用得更为经常，更为自然，也更为纯熟老到。小人物描写小人物是欧 · 亨利的短篇小说最引人瞩目的内容， 其中包含了深厚的人道主义精神。欧 ·亨利长期生活在社会底层，深谙下层人民的苦难生活，同时也切身感受过统治阶层制定的法律对穷人是如何无情。因此，他把无限的同情都放在穷人一边。在他的笔下，穷人有着纯洁美好的心灵，仁慈善良的品格，真挚深沉的爱情。但是他们却命运多坎，弱小可怜，孤立无援，食不果腹，身无居所，苟延残喘，往往被社会无情地吞噬。这种不公平的现象与繁华鼎盛的社会景象相映照， 显得格外刺目， 其中隐含了作者的愤愤不平。欧 ·亨利纪念奖。7欢迎下载精品文档

54、欧 · 亨利给美国的短篇小说带来新气息， 他的作品因而久享盛名， 并具有世界影响。美国自 1918 年起 “ 欧 ·亨利纪念奖 ” ，以奖励每年度的最佳短篇小说，由此可见其声望之卓著。死因在纽约， 由于大量佳作出版，他名利双收。 他不仅挥霍无度，而且好赌， 好酒贪杯。写作的劳累与生活的无节制使他的身体受到严重损伤。1907 年，欧 ·亨利再婚。可惜，第二次婚姻对他来说并没有什么幸福可言。1910 年 6 月 3 日，他病倒了。两天后，即6月 5 日，与世长辞，死于肝硬化，年仅48 岁。创作特色：意料之外，情理之中；从题材的性质来看，欧· 亨利的作品大致可

55、分为三类。一类：以描写美国西部生活为主。二类：写的是美国一些大城市的生活。三类： 则以拉丁美洲生活为对象。这些不同的题材，显然与作者一生中几个主要生活时期的不同经历，有着密切的关系。而三类作品当中，无疑又以描写城市生活的作品数量最多，意义最大。思想和作品的弱点：欧 · 亨利思想的矛盾和他作品的弱点，与他的创作环境有极大关系。即使在他已经成名，受到读者广泛欢迎的时候，他的生活也依然经常处于拮据状态。他曾经直言不讳地说：我是为面包而写作的” 。作品评价：欧 · 亨利因为他本身是一个穷苦的人，因此他的文章主人公大多是一些贫穷的劳动人民， 充满了对劳动人民的同情。我认为，欧 · 亨利的小说之所以让我喜欢，是因为他的小说，我们往往猜不出结果是什么，而真正的结果会让我们难以置信，这也说明了他丰富的想象力，欧?亨利的小说语言很生动而且很精练，他的短篇小说一开始就抓住了我们的兴趣和注意力，小说中除了文字的幽默诙谐之外，总有一些让费人猜测的地方，他常常让我们以为以逻辑思维就可以猜到的结局，却往往情节一转，使故事的结尾变的出人意料却又合情合理, 从而造成独特的艺术魅力, 因此被誉为 “ 欧 ·亨利式结尾 ” ，这也是欧 · 亨利最为出名的一个方面。欧