表演艺术的任务和特点（The tasks and characteristics of performing arts）

1、表演艺术的任务和特点（The tasks and characteristics of performing arts）Chinese art enrollment network, film and television, film and television majorThe tasks and characteristics of performing artsThe tasks and characteristics of performing arts2007-4-2 11:12:03The tasks and characteristics of performing artsS

2、ource: Author: money Xuege 2001-12-07 23:44:54It is often said that the director is the mirror of the actor, which can not exactly explain the cooperative relationship between the actor and the director and the role of the director in the actors creation. Because the actor should not only by the dir

3、ector for their performance correctness is judged and corrected, and the director to make his creation intention with actor, actor performance requirements. As for the mind of the characters of the master, the emotional expression of propriety, action selection, scene scheduling determination, lines

4、 and so on, the actor should not only oneself are well prepared and carefully conceived, and be good at absorbing the directors opinion, according to the directors instructions and requirements to complete their performances. Of course, this kind of relationship is the interaction, complement each o

5、ther, a good director to the performing arts, the actors creation is extremely valuable; and an excellent actor experienced director can promote the design, processing and rich active.The film also has another powerful tool for shaping characters, the creation of photographers and lighting engineers

6、. An actors performance is filmed and illuminated, filmed on film, shown to the audience. That is to say, the characters displayed on the screen are processed by photography and lighting, and the result is greatly related to the processing of photography and lighting.Photography, lighting is based o

7、n the requirements of the plot, the director to deal with the idea of the camera, as well as the image features of actors and actors to play their creative means. Photography, lighting to understand the actors, actors understand the performance, while actors also need to understand the specific trea

8、tment of photography, lighting, the two sides to achieve organic and close coordination. Special mention, shaping the image, can not be separated from the make-up make-up figures, as well as in line with the requirements of the times, in line with personality and identity of clothing, props and so o

9、n. Makeup, clothing, props, art and design staff are co creator of actors portraying characters, actors, from the beginning of building role, should work closely with them to discuss. As an actor, we should fully realize that the characterization of the characters is the result of collective creatio

10、n, and which department of the creative collective has left the task of performing art is difficult to accomplish. With this understanding, we can put the relationship between performing arts and other creative departments, respect the work of others, and try to absorb the collective creative wisdom

11、, to complete the task of performing art.In this context, the actor should know the Performing Arts occupies a very important position in the movie and drama, which is reflected in a movie or drama theme, plot, characters, the final is to show by performers. The creative efforts and hard work of the

12、 various departments of the creative collective are concentrated on the actors; the audience directly see, hear and feel from the screen or stage is also the characters played by the actors. So, for a successful piece of work,The audiences deepest impression is the actual characters created by the a

13、ctors. The audience always takes their affection for the characters to the actors who play the characters. They are most familiar with the actors and their favorite actors. From this point of view, it also reflects the important role of performing arts. The actor to see clearly the characters of suc

14、cess is completed by the creation of common labor, performing arts, as long as one part, not the achievements are attributed to himself, but also to clear the actor responsibility, to remind ourselves, serious, conscientious, diligent efforts to create. Here are some of the features of performing ar

15、ts. We know that all kinds of art have a common characteristic, that is, using artistic images to prompt the essential law of life, so that people can understand reality. The art image has a specific, vivid, concise and tendency, it through the concrete description of social life, especially by peop

16、le as the sum of social relationship social relations life scene description, a vivid picture of life in the social life, body image and emotional form reflect life that suggests that peoples thoughts and feelings, so as to achieve the purpose of infection and education.Golgi said: the work of art i

17、s not narrative, but the use of images, pictures to describe reality. The author is not talking, but in depicting, with the image, facts in nineteenth Century Russia had explained the literary critic Belinsky features, pointed out that art is a reproduction of reality in the image of a lively and vi

18、vid picture, is a means of understanding of life.He said, philosophers speak in syllogism, and poets speak in figures and pictures, and they speak the same thing. Political economists as a weapon to statistics, occurred in the role of the reader or listener senses; he proved that a class society in

19、the situation, because of such reasons to improve or even how much worse. The poet but with vivid description of reality as a weapon, he takes effect in the readers imagination; a true picture shows a class society in the situation, because of such reasons to improve how much or how much worse. One

20、is proof, one is performance, the two are persuasion, only one uses logical conclusions, and the other uses pictures. Various arts have something in common, and each has its own features. A major characteristic of such or such art categories is the artistic means (materials and tools) they use for c

21、reative writing. Using the brush, paint and artist knife gold, wood, jade, stone and other materials for literary creation; use of language; the composer uses notes; photography artists use cameras, film, light. Wait。 The main bodies (artists) and the tools, materials and artistic products they crea

22、te are separated from each other by the three.But performing art is different, its basic characteristic is the creative subject, the tools, materials and finished products are integrated with the actors themselves, the Trinity can not separate them. In other words，Actors use their facial features, s

23、hape, voice and thinking emotion to shape characters. The actors themselves are both creators and creators of tools, materials and figures. When we think of Li Shuangshuang, Deng Shichang, huacheng. When you wait for someone, the image of the actor Li Rentang, Zhang Ruifang, and Li Moran on the scre

24、en is in your mind. This characteristic of performing art determines that the most difficult problem of performing art is that the actor can neither take off himself and create characters, nor can he deviate from the characters in the play to show himself. The characters on stage and screen can only

25、 be the unity of actors and roles.Between the roles and play the role of the actor is always a certain distance, their life experience, personality, thoughts and feelings, spirit and temperament, speech and deportment habits are not the same or different, this distance (some great actors do not clos

26、e in many ways), some smaller (closer to actors and roles in some ways, regardless of distance), they are two different people, we put the contradiction which is called the actor and role. It is necessary to overcome the contradiction between actor and role, in all its aspects to use their own role,

27、 the material, reflects the character, the thoughts and feelings of the characters, the contradiction of the unity of opposites, and unified result should be true and typical.As actors may play different types of characters of different times, different classes, different occupations and different p

28、ersonalities, they require actors to have a profound life base, extensive social knowledge and distinctive expressive ability,Through the struggle into social practice and seriously study politics, philosophy, history, literature and other works to obtain direct and indirect life experience, continu

29、ously improve the ability to recognize and understand the characters of the society, to strengthen all aspects of training, and unremittingly training their voice, physique and performance ability, in the long-term practice of art skillfully the actors professional skills, it is never too old to lea

30、rn, in the life, world outlook, performance technology three aspects of relentless efforts, can accomplish something in the field of performing arts.The task of performing art or the task of actors creation, in general, is to shape the true, vivid and vivid typical characters on the stage and screen

31、. However, as a conscious proletarian literary and art worker, it is not enough to have such knowledge. The performing arts is a part of the art, the correct understanding of the performing arts, the task, must understand the basic theory on Marxs art, first is the relationship between literature an

32、d politics; the relationship between art and life; the world view of a decisive role in the artistic creation. The fundamental problem of these art theories is that the content of art introduction is not enough to repeat, but only a brief talk from the angle of performing art. The relationship betwe

33、en art and life: life is the only source of artistic creation, and social life is the basis of artistic creation. Chairman Mao said in his speech: where did all the sources of literature and art come from? Literary works, as a form of ideas, are the products of certain social life reflected in the h

34、uman mind. Revolutionary literature and art,It is the product of the reflection of the peoples life in the revolutionary writers mind. The middle of the nineteenth Century, Russian revolutionary Democrat, outstanding philosophers, writers and literary critics Chernychevsky in his monograph art and r

35、eality in the aesthetic relationship between beauty is a famous formula, he said: the main role of the arts is a reproduction of all things of interest in life; life, judgment of the phenomenon of life, it is often placed in the primacy , this is the art of the relationship between art and life of m

36、aterialism.Although the performing arts is created according to playwright in the shaping of characters in the script, but the actor could have characterized by means of literature characters after re creation, stage and screen living, real, vivid and true to life art image, also depends on the exte

37、nt and understanding to the actors familiar with life and figures to the depth. We know that performing art was originally created to imitate and reproduce people and things in life. Historical records funny biography recorded such a story: the artist Chu has a hand to help him to the late prime min

38、ister Sun Shuaos son, was wearing Sun Shuaos clothes, imitating Sun Shuaos speech and deportment, after more than a year to learn very much like Sun Shuao, even the king and about the people who can not distinguish between true and false. One day the birthday feast you Meng Chu also went to birthday

39、, the king saw that Sun Shuao be startled at, appeared again, to him as prime minister. This is good at imitating ancient hand from the life of the acting superb performing artist.Another story is better able to explain the relationship between performance and life: the Ming Hou Zhaozong Ma Ling Chu

40、an records, the Ming Dynasty stay in Jinling, two best drama pear is Hualin department and Xinghua department. In a popular event in the city of Jinling, acting on Taiwan two, Xinghua in the east to the west, shop, shop, play a game with two - Mr. Jiao Shan, the protagonist with Yan Song, played by

41、Li Ling West to East, four named Ma Jin played by actor, drama to play half, praise sitting off have pushed the west to see Li Lings performance, no one see Yan Xiangguo Ma Ling, the east to play not finish halfway ended, because Ma Ling ashamed as Li Ling, quietly change clothes off, then vague. Th

42、ree years later, the horse returned again. To request the convening of live guests, open event, and again performed Hualin Jiao Shan to Taiwan, to Yan Ma Ling played a game with Li Ling, was surprised at her prostrate Ma Ling before claiming the disciples. Xinghua department, far more than Waring de

43、partment. The night visit to the Ministry of Hualin Ma Ling, asked him: you have been acting very high, but as Li Ling, Li Ling plays Yan is a must to your country, where to learn and beyond it? Of course, Li Ling is not willing to teach me, said Ma, there is no match for Li Ling. I heard someone li

44、ke the prime minister Yan Xiangguo, I take the capital, for his servant for three years, the daily service Xiangguo Yu Zhaofang, examine its behavior to the language, but have long, this is what I worship the teacher ah! The story vividly illustrates the need for the actor to live as a teacher, to o

45、bserve, understand and understand the characters in life,In order to create a true to life, remarkably like the true image of the arts.Chinese opera performance attaches great importance to experiencing life and learning from life. The famous opera wusheng Mr. Gai jiaotian in Fenmo spring and autumn

46、 a book about them in this case when a cobain. He said: I usually pay great attention to training children to watch at any time in the life of every hue. On the road every day on the theatre came back, the teacher had sent the task, this group of people on the street to watch the burden, the group t

47、o watch for the cart, this watch, but look carefully, what is life, take the burden, it is there are many kinds, pick a bucket, pick the soy sauce, pick the basket, pick the weight different, also different; the elderly and young Tiaodan Tiaodan; June summer and winter road is different about the tw

48、elfth lunar month; carrying a load of vegetables to the city to sell, the burden of heavy, fast pace, face a worry about not sell air; out of food, a pair of empty burden to shoulder a burden to the long sleeve, hands, a flash in the pan, the idle and when different strength. When we got home, the t

49、eacher asked the students to show the scenes they saw. Usually pay attention to life, see more, learn more, on the stage, what will naturally be like?. They are acting in the countryside, on the night, braving the severe winter, the teacher also let students with large snowflakes, car, walking, a no

50、cturnal walking exercise. Moonless night, snow on the ground a foot thick, inattentive to slip, but also sing and dance, the lyrics on a dark, mind is not busy, in spite of difficult journey, for busy footsteps. The taste is really calculated.With this experience, you can understand the mood of the

51、night running in the suburbs. Through the hard life exercise, the old man said, there is no good thing in the world. We have been playing since we were young, and this is called train. We then, the teacher hit this refining line, above to educate children, let them experience all sorts of difficulti

52、es, regardless of what bad environment, must try to overcome it. Hungry two meals did not eat, to go on the stage as usual; enough to eat, but also on the stage. Walk fifty or sixty miles, do not rest on the acting; a day without sleep also acting. The weather is cold and the wind is strong. It is o

53、n the stage. The weather is hot and the sweat is flowing. In a word, in what circumstances are acting, this exercise is not spoiled, spoiled. Its like that, knowing the taste of cold and hunger and performing the life of the poor. He said, Lv Mengzheng is playing catch fast this drama, an old gentle

54、man as Lv Mengzheng, out of the kiln door shouting which is so cold! That it was through the cold, sing the phrase God to kill the poor do not need the crowd of people cry. Another actor, from the kiln to shout which is so cold! The face of the body cant make people feel the slightest chill, his app

55、earance may put people amused, so the same is a play, a person cry, a person has to rap, respectively is a life, not a. An actors life and life base is wider and deeper and more conducive to the maturity of his performance. He should be exposed to all aspects of social life and be familiar with all

56、people and all classes. Simultaneous,Our literature and art mainly reflects the life of the workers, peasants and soldiers, and the revolutionary writers and artists must first have the task of studying the workers, peasants and soldiers. Deepening the work of the workers, peasants and soldiers and

57、combining them with the workers, peasants and soldiers is the basic prerequisite for the prosperity and development of socialist literary and artistic creation.Chairman Mao pointed out: the writer and artist of the Chinese revolution, a writer and artist of the future, must go to the masses, must be

58、 unconditionally wholeheartedly to the masses of peasants and soldiers, to the fiery struggle to go, only the most numerous and most abundant source to observe and experience, the research and analysis of all people, all classes, all the masses, all vivid forms of life and the form of struggle, all

59、the raw materials of literature and art, then move into the creative process. The depth of life, not only to observe surface phenomena of life, but also to grasp the essence through the phenomenon of life, understand peoples emotions and spirit, grasp reflected in peoples characteristics of the times and the pulse of the times. Some excellent films in Chinese characters not on