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the feelingofthings communication boundaries womeninpillowbook sections126 185 communicativetriumphs conversationasastrategygame havingthelastword competition iunderstandyou youdon tunderstandme shonagonandtadanobumenandwomen shonagonandyukinariservantsandmasterstherewards boundaries createandindicatedifferencescreensofstatevisibilityoftheimperialcouple cfsec70 correlatewithcommunicationbeingan insider letters arevulnerabletoattackokinomaro sec 8 communication speakingthroughthings gifts tokens plumblossomssnowabitofseaweedexchangescompetitions communicationasagame anecologyofmeaninganutteranceisamoveallplayersaresimultaneouslyjudgestoostandardsofreference priormoves theusualandexpectedmoves idealsfromfictionthelimitsofthegamegraceandfavor roleplay empresssadako sforcedretirementintrusionoftragedyintotheworldofbeautifulsurfaces seishonagon sexilefromthe exiled empress scourthowthepartoftheneglectedwomanshouldbeplayed sec 112 sec 94 aestheticfatalism recognitionoflimits transgressions writingasanexperimentwithboundaries withrank withautonomycomparesection62 amansnatchesaletter section51 iwasmostvexedattheideathatallthosegentlemenhadbeensittinginjudgmentonmewithoutmyknowledge thetaleofgenji chapter51 nakanokimi it snotgoodmannerstolookatprivatenotesbetweenwomen youreallymustletmeseethem saidprinceniou whatmightitbelike iwonder aletterfromonewomantoanother voyeurism discoveryofindividuality istillregret section184 thisnotebookofminehappenedtobelyingonthemat butididnotnoticeitintime isnatchedatthebook butthecaptaininstantlytookitoffwithhim section185 everythingthatihaveseenandfeltisincluded iwascarefultokeepmybookhidden butnowithasbecomepublic whichisthelastthingiexpected my lifeas my art seish nagon sroleasnarratorthegamesofdescription narration history evaluation allprescribedincourtier sroleautobiography notprescribedinthatrole yoursocial score shouldsufficeforthat thebookassubstituteforthebodyitgoeswherethefemalebodycan tgoregretandrenown onejudgment sowehaveseish nagon wholeftthisworld bequeathingonlyhercarefreelaughterandreadywitonthatsplendidpapershereceivedfromempressteishi sadako thepillowbookistruly andthroughandthrough thelegacyinproseof askilledperformance howmanytearsofblooddidsheshedoveritspages noonecansneakapeekinsidethebambooblindsofathousandyearsago oginoayako 1991 citedinedithsarra fictionsoffemininity 1999 andanother leavingoutnothingthatwascharming fullofpathos impressive orsplendid shewroteinminutedetailabouteverythinghavingtodowiththemagnificentfloweringthatwasempressteishi sreign yetitseemsshewasprudenttothepointthatshesaidnothingatallabouttheruinbroughtonbythedeathofmichitakaandtheexileofkorechika perhapsbecauseshehadlosthermostreliablepatrons shewentofftostayinthecountrysidewithherwet nurse sdaughter someoneglimpsedhergoingoutintothefieldstodrysomesortofgreensandmutteringtoherself it sthefigureswearingthosecourtrobesicannotf
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