旗袍(英文)-超级棒哦

contentsThedefinitionofcheongsamTheoriginofcheongsamTheevolutionofcheongsamThestructure

ofcheongsamRepresentativefiguresMypersonalopinionsoncheongsamPicturesappreciating第一页第二页，共31页。Thedefinition（定义）TheQiPaoorChi-Pao,alsoknownasthecheongsamormandaringown(长袍)；Abody-hugging(紧身的)one-piece(连衣裙)Chinesedress；TheEnglishvocabularycheongsamcomesfromtheCantonese(广东话).ItisknowninMandarinChinese（普通话）astheqípáoinBeijingandShanghai.第二页第三页，共31页。TheCheongsam（旗袍）camefromtheManchus（满族人）whogrewoutof（产生于）ancientNuzhentribes（女真部落）.Intheearly17thcentury,Nurhachi（努尔哈赤）,agreatpoliticalandmilitarystrategist,unifiedthevariousNuzhentribesandsetuptheEightBannersSystem（八旗制度）.Overtheyears,acollarless（无领）,tube－shapedgownwasdeveloped,whichwaswornbybothmenandwomen.Thatistheembryo（胚胎）oftheQipao.ThedressiscalledQipaoinChineseortranslatedas“bannergown（旗服）",foritcamefromthepeoplewholivedundertheBannerSystem.Theorigin（起源）第三页第四页，共31页。WideandlooseCoverbodyA-line第四页第五页，共31页。WhycallQipaochinadressQipao,whichisfamouswithitsharmonyandunity,isknownastherepresentativeoftheChinesedressculture.Itshowstheeleganttemperament（优雅气质）ofChinesewomen,demonstratestheculture(文化)andvirtues（美德）ofournation.Itcreatesanimpressionofsimplicityandquiet,charm,eleganceandneatness..It’samagnificentrainbowofthehumanculture.第五页第六页，共31页。Theevolution（历史沿革）ThelateQingDynasty.

AftertheOpiumWar(鸦片战争),theEuropean-stylesuitsenteredChinafirst.Thewideandloosebodyhadgraduallybecomeshortandnarrow.In1919,theOrdinance（法令）aboutgarmentswasannouncedbytheNationalGovernmentandcheongsamwasestablishedtobethenationalgarments.In1920sIntheearlyRepublicofChina（中华民国），thecheongsambegantobepopularagain.Thebodybecameshortened.Thewaist

（腰部）wasnarrowed.Latertherewasanewchangethatstyleofcollar（领子）washighlightedtobefashionabletoshowfeminineappearance.第六页第七页，共31页。Fromthe1950sto1960sIntheEastAsia,thefoundingofthePeople’sRepublicofChinamarkstheendoftheoldlife.Thecheongsam,whichhasbeencherishedbypeopleforalongtimewasnotpracticalandwassetaside(放置一旁).Butin1950sand1960s,cheongsamsbegantoshowupagain

（再次出现）inthepeople'slives.Fromthe1930sto1940s

1930sand1940ssawthecheongsaminitspeakfashion(时尚顶峰).AffectedbythestylesoftheEurope,astepforwardwasmadeinexposingthefemalefigure（女性曲线）.Thecheongsamin1930swasshortenedwiththelengthtotheknees,andthecuffs(袖口)werealsonarrowed.

GoldenEraInmoderntimes.Popularagainnow.From1966to1976CulturalRevolution（文革）,disaster第七页第八页，共31页。1920s1930s

1940s第八页第九页，共31页。Thedistinction(区别)Qing:broad,flat,longtofeet,silk.Rep:shapedwaist.Qing:wearingslacks,seethebottomoftrousersfromtheopening.Rep:wearingsilkstockings,showthelegs.Qing:usebrocade(织锦)orjacquard(提花织物).Rep:printedfabric(印花织物),simplicity.distinction第九页第十页，共31页。QingdynastyRepublicofChina第十页第十一页，共31页。Frog盘扣Thestructure立领襟衩刺绣Mandarincollar立领Lapel/frontofagarment襟Openings衩embroidery刺绣第十一页第十二页，共31页。Thestyle(样式)Chi-paohasmanystyles,andthechangeismainlybasedonsleeves,Jin,collar,openings,andthelengthofCheongsam.Sleeves（袖子）:widesleeves,narrowandlongsleeves,middlesleeves,shortsleevesorsleeveless.Jin（襟）:roundJin,straightJin,slantingJin(斜襟),doubleJin（双襟）,PipaJin（琵琶襟）,andsoon.Collar(领):highcollar,lowcollar，orcollarless.Openings（开衩）:highopenings,lowopenings,noopening第十二页第十三页，共31页。longsleevesshortsleevessleeveless.第十三页第十四页，共31页。如意襟琵琶襟斜襟双襟第十四页第十五页，共31页。高领低领无领第十五页第十六页，共31页。高开衩低开衩第十六页第十七页，共31页。Thefactions(派别)TheBeijingstyle,withred-tapism,appearsreservedandconcise京派风格则带有官派作风，显得矜持凝练；ShanghaistylewithacharacterizationofabsorbingtheWestArtsisup-to-date,flexibleandhasastrongbusinessatmosphere.海派风格以吸收西艺为特点，标新且灵活多样，商业气息浓厚。第十七页第十八页，共31页。京派第十八页第十九页，共31页。海派第十九页第二十页，共31页。Representativefigures张爱玲EileenChang(1920-1995)

Awell-knownwriter，beaddictedtocheongsam.Lifeisacolorfulgown,coveredwithlice.生命是一袭华美的袍子，上面

爬满了虱子。

衣服是一种言语，随身带着一种袖珍戏剧……贴身的环境——那就是衣服，我们各人住在各人的衣服里第二十页第二十一页，共31页。宋美龄SoongMay-ling(1897-2003)FirstladyinRepublicofChina.旗袍第一夫人Sheownsthemostnumberofqipaoallovertheworld.第二十一页第二十二页，共31页。邓丽君WherethereareChinesethereishervoice,shereallymadethebeautyofthecheongsam,cheongsamaccomplishedherlegend.有华人的地方就有邓丽君的歌声，她成全了旗袍的美丽，旗袍成就了她的传奇。第二十二页第二十三页，共31页。

Inthefilm《IntheMoodforLove》（似水年华）

，MaggieCheung（张曼玉）changemorethan23setsofqipao,afterthemovierelease,Itsetoffarushof“cheongsamhot(旗袍热)."Can’titarouseourdeeplythinkingabouttheculturalchangeofcheongsam?Cheongsamreflectstheelegantcharmoforientalwomen第二十三页第二十四页，共31页。第二十四页第二十五页，共31页。MypersonalopinionsonqipaoThecheongsam,asadazzlingexoticflowerinChina‘snationalapparel（服装）,willnotonlyexistinthefuturebutalsocontinuetobeinfullbloomtogetherwiththewonderfulgarmentsintheworld，becausetheuniquebeauty（美丽）,demeanor（