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历年考研英语英译汉真题除了背模板外,还要学会整理模板,由于市面上的模板都千篇一律,考试时直接套用是得不到高分的,需要大家在其中加入自己的思路、见解和想法,让模板在不丢失其灵魂的状况下变得新奇,下文是我为你细心编辑整理的历年考研英语英译汉真题,盼望对你有所关心,更多内容,请点击相关我查看,感谢!

历年考研英语英译汉真题1

ReadthefollowingtextcarefullyandthentranslatetheunderlinedsentencesintoChinese.YourtranslationshouldbewrittenneatlyontheANSWERSHEET.(10points)

Withinthespanofahundredyears,intheseventeenthandearlyeighteenthcenturies,atideofemigration-onethegreatfolkwanderingsofhistory-sweptfromEuropetoAmerica.(46)Thismovement,drivenbypowerfulanddiversemotivations,builtanationoutofawildernessand,byitsnature,shapedthecharacteranddestinyofanunchartedcontinent.

(47)TheUnitedStatesistheproductoftwoprincipalforces-theimmigrationofEuropeanpeopleswiththeirvariedideas,customsandnationalcharacteristicsandtheimpactofanewcountrywhichmodifiedthesetraits.Ofnecessity,colonialAmericawasaprojectionofEurope.AcrosstheAtlanticcamesuccessivegroupsofEnglishmen,Frenchmen,Germans,Scots,Irishmen,Dutchmen,Swedes,andmanyotherswhoattemptedtotransplanttheirhabitsandtraditionstothenewworld.(48)ButtheforceofgeographicconditionspeculiartoAmerica,theinterplayofthevariednationalgroupsupononeanother,andthesheerdifficultyofmaintainingold-worldwaysinaraw,newcontinentcausedsignificantchanges.Thesechangesweregradualandatfirstscarcelyvisible.Buttheresultwasanewsocialpatternwhich,althoughitresembledEuropeansocietyinmanyways,hadacharacterthatwasdistinctlyAmerican.

(49)ThefirstshiploadsofimmigrantsboundfortheterritorywhichisnowtheUnitedStatescrossedtheAtlanticmorethanahundredyearsafterthe15th-and-16th-centuryexplorationsofNorthAmerica.Inthemeantime,thrivingSpanishcolonieshadbeenestablishedinMexico,theWestIndies,andSouthAmerica.ThesetravelerstoNorthAmericacameinsmall,unmercifullyovercrowdedcraft.Duringtheirsix-totwelve-weekvoyage,theysurvivedonbarelyenoughfoodallottedtothem.Manyoftheshipswerelostinstorms,manypassengersdiedofdisease,andinfantsrarelysurvivedthejourney.Sometimesstormsblewthevesselsfarofftheircourse,andoftencalmbroughtunbearablylongdelay.

TotheanxioustravelersthesightoftheAmericanshorebroughtalmostinexpressiblerelief.Saidonerecorderofevents,Theairattwelveleaguesdistancesmeltassweetasanew-blowngarden.Thecolonistsfirstglimpseofthenewlandwasasightofdensewoods.(50)Thevirginforestwithitsrichnessandvarietyoftreeswasarealtreasure-housewhichextendedfromMaineallthewaydowntoGeorgia.Herewasabundantfuelandlumber.Herewastherawmaterialofhousesandfurniture,shipsandpotash,dyesandnavalstores.

46)在多种强大的动机驱动下,这次运动在一片荒野上建起了一个国家,其本身塑造了一个未知大陆的性格和命运。

47)美国是两种主要力气的产物--即思想习俗、民族特色各异的欧洲移民和修改这些特征的新国家的影响的产物。

48)但由于美国特有的地理条件,不同民族的相互作用,以及维护原始老式方式的纯粹困难,新大陆引起了重大变化。

49)在15-16世纪北美探究的一百多年之后,运往该领土-即当今的美国-的第一船移民横渡了大西洋。

50)拥有丰富多样树种的原始森林是一个真正的宝库,它从缅因州始终延长到乔治亚州。

历年考研英语英译汉真题2

PartC

Directions:

ReadthefollowingtextcarefullyandthentranslatetheunderlinedsegmentsintoChinese.YourtranslationshouldbewrittenontheANSWERSHEET(10points)

Musicmeansdifferentthingstodifferentpeopleandsometimesevendifferentthingstothesamepersonatdifferentmomentsofhislife.Itmightbepoetic,philosophical,sensual,ormathematical,butinanycaseitmust,inmyview,havesomethingtodowiththesoulofthehumanbeing.Henceitismetaphysical;butthemeansofexpressionispurelyandexclusivelyphysical:sound.Ibelieveitispreciselythispermanentcoexistenceofmetaphysicalmessagethroughphysicalmeansthatisthestrengthofmusic.46)Itisalsothereasonwhywhenwetrytodescribemusicwithwords,allwecandoisarticulateourreactionstoit,andnotgraspmusicitself.

Beethoven’simportanceinmusichasbeenprincipallydefinedbytherevolutionarynatureofhispositions.Hefreedmusicfromhithertoprevailingconventionsofharmonyandstructure.SometimesIfeelinhislateworksawilltobreakallsignsofcontinuity.Themusicisabruptandseeminglydisconnected,asinthelastpianosonata.Inmusicalexpression,hedidnotfeelrestrainedbytheweightofconvention.47)Byallaccountshewasafreethinkingperson,andacourageousone,andIfindcourageanessentialqualityfortheunderstanding,letalonetheperformance,ofhisworks.

ThiscourageousattitudeinfactbeesarequirementfortheperformersofBeethoven’smusic.Hispositionsdemandtheperformertoshowcourage,forexampleintheuseofdynamics.48)Beethoven’shabitofincreasingthevolumewithanextremeintensityandthenabruptlyfollowingitwithasuddensoftpassagewasonlyrarelyusedbyposersbeforehim.

Beethovenwasadeeplypoliticalmaninthebroadestsenseoftheword.Hewasnotinterestedindailypolitics,butconcernedwithquestionsofmoralbehaviorandthelargerquestionsofrightandwrongaffectingtheentiresociety.49)Especiallysignificantwashisviewoffreedom,which,forhim,wasassociatedwiththerightsandresponsibilitiesoftheindividual:headvocatedfreedomofthoughtandofpersonalexpression.

Beethoven’smusictendstomovefromchaostoorderasiforderwereanimperativeofhumanexistence.Forhim,orderdoesnotresultfromforgettingorignoringthedisordersthatplagueourexistence;orderisanecessarydevelopment,animprovementthatmayleadtotheGreekidealofspiritualelevation.ItisnotbychancethattheFuneralMarchisnotthelastmovementoftheEroicaSymphony,butthesecond,sothatsufferingdoesnothavethelastword.50)OnecouldinterpretmuchoftheworkofBeethovenbysayingthatsufferingisinevitable,butthecouragetofightitrenderslifeworthliving.

46.这也是为什么当我们试图用语言来描述音乐时,我们只能明确表达我们对于音乐的感受,而不能完全理解音乐本身。

47.人们普遍认为,他(贝多芬)是个思想自由、布满士气的人,我发觉士气这一品质,是理解他作品的关键,更不必说是演出其作品的关键。

48.贝多芬习惯最大限度来渐渐增高音量,然后突然跟上轻柔的乐段,在他之前,作曲家很少使用这种方式。

49)尤为重要的是贝多芬对于自由的看法,他认为,这种自由是与个人的权利和责任联系起来的:他提倡思想自由和个人言论自由。

50.我们可以这样解释贝多芬的大部分作品:苦难是不行避开的,但是与苦痛抗争的士气使得生命值得连续。

历年考研英语英译汉真题3

ReadthefollowingtextcarefullyandthentranslatetheunderlinedsegmentsintoChinese.YourtranslationshouldbewrittenclearlyonANSWERSHEET2.(10points)

Itisspeculatedthatgardensarisefromabasicneedintheindividualswhomadethem:theneedforcreativeexpression.Thereisnodoubtthatgardensevidenceanimpossibleurgetocreate,express,fashion,andbeautifyandthatself-expressionisabasichumanurge;(46)Yetwhenonelooksatthephotographsofthegardencreatedbythehomeless,itstrikesonethat,foralltheirdiversityofstyles,thesegardensspeakosvariousotherfundamentalurges,beyondthatofdecorationandcreativeexpression.

Oneoftheseurgeshadtodowithcreatingastateofpeaceinthemidstofturbulence,a“stillpointoftheturningworld,”toborrowaphrasefromT.S.Eliot.(47)Asacredplaceofpeace,howevercrudeitmaybe,isadistinctlyhumanneed,asopposedtoshelter,whichisadistinctlyanimalneed.Thisdistinctionissomuchsothatwherethelatterislacking,asitisfortheseunlikelygardens,thefoemerbeesallthemoreurgent.Composureisastateofmindmadepossiblebythestructuringofone’srelationtoone’senvironment.(48)Thegardensofthehomelesswhichareineffecthomelessgardensintroducefromintoanurbanenvironmentwhereiteitherdidn’texistorwasnotdiscernibleassuch.Insodoingtheygiveposuretoasegmentoftheinarticulateenvironmentinwhichtheytaketheirstand.

Anotherurgeorneedthatthesegardensappeartorespondto,ortoarisefromissointrinsicthatwearebarelyeverconsciousofitsabidingclaimsonus.Whenwearedeprivedofgreen,ofplants,oftrees,(49)mostofusgiveintoademoralizationofspiritwhichweusuallyblameonsomepsychologicalconditions,untilonedaywefindourselvesingardenandfeeltheexpressionvanishasifbymagic.InmostofthehomelessgardensofNewYorkCitytheactualcultivationofplantsisunfeasible,yetevensothepositionsoftenseemtorepresentattemptstocallarrangementofmaterials,aninstitutionofcolors,smallpoolofwater,andafrequentpresenceofpetalsorleavesaswellasofstuffedanimals.Ondisplayherearevariousfantasyelementswhosereference,atsomebasiclevel,seemstobethenaturalworld.(50)Itisthisimplicitorexplicitreferencetonaturethatfullyjustifiestheuseofwordgardenthoughina“liberated”sense,todescribethesesyntheticconstructions.Inthemwecanseebiophilia-ayearningforcontactwithnonhumanlife-assuminguncannyrepresentationalforms.

46.yet,whenonelooksatthephotographsofthegardenscreatedbythehomeless,itstrikesonethat,foralltheirdiversityofstyles,thesegardensspeakofvariousotherfundamentalurges,beyondthatofdecorationandcreativeexpression.

然而,看着无家可归者绘制出的花园图片时,人们会突然想到,尽管这些花园风格多样,它们都显示了人类除了装饰和制造性表达之外的其他各种基本诉求

47.Asacredplaceofpeace,howevercrudeitmaybe,isadistinctlyhumanneed,asopposedtoshelter,whichisadistinctlyanimalneed.

无论地方多么简陋不堪,寻求一片静谧圣土是人类特有的需求,而动物需要的仅是仅是避难栖息之地。

48.Thegardensofthehomeless,whichareineffecthomelessgardens,introduceformintoanurbanenvironmentwhereiteitherdidn’texistorwasnotdiscernibleassuch.

无家可归者的乐园,实际上是一个毫无家气息的地方,给城市环境带来了一种新的形式。。

无家可归者描绘的花园实质上是无所依附的,这些花园把一种形式引入城市环境中,而这样的城市环境中,形式要么根本不存在,要么就完全不是以这种明显的方式存在。

49.mostofusgiveintoademoralizationofspiritwhichusuallyblameonsomepsychologicalconditions,untilonedaywefindourselvesinagardenandfeeltheoppressionvanishasifbymagic.

我们大多数人会深陷于精神萎靡的状态,并经常将此归咎为一些心理缘由,直到某天我们发觉自己置身花园中,感到如魔法般郁闷尽消

50.Itisthisimplicitorexplicitreferencetonaturethatfullyjustifiestheuseofthewordgarden,thoughina“liberated”sense,todescribethesesyntheticconstructions.

正是对自然的这种或隐晦含蓄或清楚直白的提及,充分证明了用“花园”一词来描述这些虚拟建筑是合乎情理的,即使是从毫无拘泥的意义来讲的。

历年考研英语英译汉真题4

Directions:

ReadthefollowingtextcarefullyandthentranslatetheunderlinedsegmentsintoChinese.YourtranslationshouldbewrittencarefullyonANSWERSHEET2.(10points)

Withitsthemethat“Mindisthemasterweaver,”creatingourinnercharacterandoutercircumstances,thebookAsaManThinkingbyJamesAllenisanin-depthexplorationofthecentralideaofself-helpwriting.

(46)Allen‘scontributionwastotakeanassumptionweallshare-thatbecausewearenotrobotswethereforecontrolourthoughts-andrevealitserroneousnature.Becausemostofusbelievethatmindisseparatefrommatter,wethinkthatthoughtscanbehiddenandmadepowerless;thisallowsustothinkonewayandactanother.However,Allenbelievedthattheunconsciousmindgeneratesasmuchactionastheconsciousmind,and(47)whilewemaybeabletosustaintheillusionofcontrolthroughtheconsciousmindalone,inrealitywearecontinuallyfacedwithaquestion:“WhycannotImakemyselfdothisorachievethat?”

Sincedesireandwillaredamagedbythepresenceofthoughtsthatdonotaccordwithdesire,Allenconcluded:“Wedonotattractwhatwewant,butwhatweare.”Achievementhappensbecauseyouasapersonembodytheexternalachievement;youdon‘t“get”successbutbeeit.Thereisnogapbetweenmindandmatter.

PartofthefameofAllen‘sbookisitscontentionthat“Circumstancesdonotmakeaperson,theyrevealhim.”(48)Thisseemsajustificationforneglectofthoseinneed,an

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