介绍宫崎骏英语演讲课件

Classreport

1Classreport122MiyazakiHayao3MiyazakiHayao3Oneofthecountry’smostpopularanimators,HayaoMiyazaki,hasproducedsomeofthegreatclassicsofJapaneseTVanimation.Nevertheless,hefindstelevisiontoorestrictive,andpreferstomakefull-lengthanimatedmovies.宫崎骏是日本最受欢迎的漫画家之一，他曾制作了多部日本电视动画的经典巨作。然而，他发现电视创作太受限制，因而更喜欢创作正片长度的动画电影。4Oneofthecountry’smostpopu

HayaoMiyazakiwasborninTokyoin1941.Hisfamilyownedafactorythatbuiltairplanes,andhefellinlovewithplanesandflyingatanearlyage.Anyonefamiliarwithhisfilmshasseentheoftenbreathtakingflyingscenesthatarehispersonaltrademark.1941年宫崎骏出生于日本东京。他的家族拥有一座制造飞机的工厂，他早年也曾醉心于飞机及飞行。熟悉宫崎骏电影的人，都很熟悉他影片中经常出现的常令人叹为观止的飞行场景，那正是宫崎骏动画的一大特色。5HayaoMiyazakiwasborninToInthefilmwecansee,HayaoMiyazaki'sthinkingisdividedintotwolevels:Atthefirstlevel,Miyazakithinksthattherelationshipbetweencivilizationandnature,justassameastherelationshipbetweentreesandsoil.Ifthesoilisnotrootedintheearth,eventalltreescannotsurvive.我们可以看出，在本片中，宫崎骏的思考是分为两个层次的：在第一个层次中，宫崎骏认为文明与自然的关系，就如同树木与泥土的关系一样。如果不植根于大地的泥土，即使是参天大树也无法存活。6Inthefilmwecansee,HayaoInthesecondlevel,Miyazakithinkthatthevitalityofcivilizationwillbegivenbynaturally,thenthevitalitywillbedestroyedbygreeduntilthecompletedestructionofcivilization.在第二个层次中，宫崎骏认为如果说自然会赐予文明以生命力的话，那么贪欲则会夺取文明的生命力直至彻底毁灭文明。7Inthesecondlevel,MiyazakiValleyoftheWind,1984film《风之谷》CastleintheSky,1986film《天空之城》MyNeighborTotoro,1988film《龙猫》Kiki'sDeliveryService,1989film《魔女宅急电》PrincessMononoke,1997film《幽灵公主》SpiritedAway,2001film《千与千寻》(winner,AcademyAwardforBestAnimatedFeature,2002)Howl'sMovingCastle,2004film《霍尔的移动城堡》(nominee,AcademyAwardforBestAnimatedFeature,2005)Ponyo,2008film《悬崖岸上的金鱼姬》8ValleyoftheWind,1984filmMiyazaki’sStyles

Miyazaki'sworksarecharacterisedbytherecurrenceofprogressivethemes,suchasenvironmentalism,pacifism,feminism,andtheabsenceofvillains（反派角色）.Hisfilmsarealsofrequentlyconcernedwithchildhoodtransitionandamarkedpreoccupationwithflight.EventhoughMiyazakisometimesfeelspessimisticabouttheworld,hepreferstoshowchildrenapositiveworldviewinstead,andrejectssimplisticstereotypesofgoodandevil.9Miyazaki’sStylesMiyazaki'swEnvironmentalism（环保主义）Miyazaki'sfilmsoftenemphasizeenvironmentalism.InaninterviewwithTheNewYorker,Miyazakiclaimedthatmuchofmoderncultureis“thinandshallow（肤浅）andfake",“nature—themountainsandrivers—wasbeingdestroyedinthenameofeconomicprogress.“Miyazakiiscriticalofcapitalism,globalizationandtheirimpactsonmodernlife.Commentingonthe1954AnimalFarmanimatedfilm,hehassaidthat“exploitationisnotonlyfoundincommunism（共产主义）,capitalismisasystemjustlikethat.Ibelieveacompanyiscommonpropertyofthepeoplethatworkthere.Butthatisasocialisticidea.“Nonetheless,hesuggeststhatadultsshouldnot"imposetheirvisionoftheworldonchildren."10Environmentalism（环保主义）101111Pacifism（反战主义）PrincessMononokeandHowl'sMovingCastlefeatureanti-warthemes.In2003,whenSpiritedAwaywontheAcademyAward（奥斯卡金像奖）forBestAnimatedFeature,Miyazakididnotattendtheawardsshowpersonally.Helaterexplainedthatitwasbecausehe"didn’twanttovisitacountrythatwasbombingIraq".12Pacifism（反战主义）12Feminism（女性主义）MiyazakihasbeencalledafeministbyStudioGhibliPresidentToshioSuzuki,inreferencetohisattitudetofemaleworkers.Thisisevidentintheall-femalefactoriesofPorcoRosso（红猪）andPrincessMononoke（幽灵公主）,aswellasthematriarchal（女族长制的）bath-houseofSpiritedAway.ManyofMiyazaki‘sfilmsarepopulatedbystrongfemaleprotagonists（主人公）thatgoagainstgenderrolescommoninJapaneseanimationandfiction.13Feminism（女性主义）13IncontrasttoAmericananimation,thescriptandstoryboardsarecreatedtogether,andanimationbeginsbeforethestoryisfinishedandwhilestoryboardsaredeveloping.Especialcreationprocess：1：exertimagination尽情的想象14IncontrasttoAmericananimat1515Miyazakitakesaleadingrolewhencreatinghisfilms,frequentlyservingasbothwriteranddirector.Hepersonallyreviewedeveryframeusedinhisearlyfilms,thoughduetohealthconcernsoverthehighworkloadhenowdelegatessomeoftheworkloadtootherGhiblimembers.Ina1999interview,Miyazakisaid,"atthisage,IcannotdotheworkIusedto.IfmystaffcanrelievemeandIcanconcentrateondirecting,therearestillanumberofmoviesI'dliketomake."2：Commitment全身心的投入16MiyazakitakesaleadingroleMiyazakiusesveryhuman-likemovementsinhis

animation.Inaddition,muchoftheartisdoneusingwatercolors.个人的画风17Miyazakiusesveryhuman-likeMiyazakihasusedtraditionalanimationthroughouttheanimationprocess,thoughcomputer-generatedimagerywasemployedstartingwithPrincessMononoketogive"alittleboostofelegance".However,inhis2008filmPonyo,Miyazakiwentbacktotraditionalhand-drawnanimationforeverything,saying"handdrawingonpaperisthefundamentalofanimation."StudioGhibli'scomputeranimationdepartmentwasdissolvedbeforeproductiononPonyowasstarted,andMiyazakihasdecidedtokeeptohanddrawnanimation.

3：insistencetradition对传统的坚持handdrawanimation18Miyazakihasusedtraditional1919

20

202121LupinIIICastleofCagliostro卡里奥斯特罗之城（1979）.NausicaaoftheValleyoftheWinds

风之谷(1984)22LupinIIICastleofCagliostroLaputa:CastleintheSky

天空之城（1985）Oneday,thegirlfellfromthesky23Laputa:CastleintheSkyOneThisstrangecreature(生物),

perhapsstilllivinginJapanMyNeighborTotoro龙猫（1988）24Thisstrangecreature(生物),My

Iwasreallydownforawhile,butI'moknowKiki‘sDeliveryService魔女宅急便（1989）25IwasreallydownforawhilePorcoRosso红猪（1992）2626PrincessMononoke幽灵公主（1997）Livetobestrong

27PrincessMononokeLivetobestHowl'sMovingCastle哈尔的移动城堡（2004）28Howl'sMovingCastle28PonyoontheCliff悬崖上的金鱼姬(2010)29PonyoontheCliff悬崖上的金鱼姬(Wehavenochoicebutprevailintheworldfromthestartofthisflu.——《OnYourMark》我们别无选择，只能存这个流感盛行的世界出发。Eveninthehatredandkilling,therearestillsomethingsworthyofpeopleinthelive.Abeautifulencounter,ortotheexistenceofbeautifulthings.

Wedepicthatred,aremoreimportantthingstodescribe.

Wedepictacurse,istodescribethejoyofliberation.——"princessMononoke“即使是在憎恨和杀戮中，仍然有些东西值得人们为之活下去。一次美丽的相遇，或是为了美丽的事物存在。我们描绘憎恨，是为了描写更重要的的东西。我们描绘诅咒，是为了描写解放后的喜悦。——《幽灵公主》30WehavenochoicebutprevailThankyou31Thankyou31经常不断地学习,你就什么都知道。你知道得越多,你就越有力量StudyConstantly,AndYouWillKnowEverything.TheMoreYouKnow,TheMorePowerfulYouWillBe写在最后32经常不断地学习,你就什么都知道。你知道得越多,你就越有力量写感谢聆听不足之处请大家批评指导PleaseCriticizeAndGuideTheShortcomings结束语讲师：XXXXXXXX年XX月XX日

33感谢聆听结束语讲师：XXXXXX33Classreport

34Classreport1352MiyazakiHayao36MiyazakiHayao3Oneofthecountry’smostpopularanimators,HayaoMiyazaki,hasproducedsomeofthegreatclassicsofJapaneseTVanimation.Nevertheless,hefindstelevisiontoorestrictive,andpreferstomakefull-lengthanimatedmovies.宫崎骏是日本最受欢迎的漫画家之一，他曾制作了多部日本电视动画的经典巨作。然而，他发现电视创作太受限制，因而更喜欢创作正片长度的动画电影。37Oneofthecountry’smostpopu

HayaoMiyazakiwasborninTokyoin1941.Hisfamilyownedafactorythatbuiltairplanes,andhefellinlovewithplanesandflyingatanearlyage.Anyonefamiliarwithhisfilmshasseentheoftenbreathtakingflyingscenesthatarehispersonaltrademark.1941年宫崎骏出生于日本东京。他的家族拥有一座制造飞机的工厂，他早年也曾醉心于飞机及飞行。熟悉宫崎骏电影的人，都很熟悉他影片中经常出现的常令人叹为观止的飞行场景，那正是宫崎骏动画的一大特色。38HayaoMiyazakiwasborninToInthefilmwecansee,HayaoMiyazaki'sthinkingisdividedintotwolevels:Atthefirstlevel,Miyazakithinksthattherelationshipbetweencivilizationandnature,justassameastherelationshipbetweentreesandsoil.Ifthesoilisnotrootedintheearth,eventalltreescannotsurvive.我们可以看出，在本片中，宫崎骏的思考是分为两个层次的：在第一个层次中，宫崎骏认为文明与自然的关系，就如同树木与泥土的关系一样。如果不植根于大地的泥土，即使是参天大树也无法存活。39Inthefilmwecansee,HayaoInthesecondlevel,Miyazakithinkthatthevitalityofcivilizationwillbegivenbynaturally,thenthevitalitywillbedestroyedbygreeduntilthecompletedestructionofcivilization.在第二个层次中，宫崎骏认为如果说自然会赐予文明以生命力的话，那么贪欲则会夺取文明的生命力直至彻底毁灭文明。40Inthesecondlevel,MiyazakiValleyoftheWind,1984film《风之谷》CastleintheSky,1986film《天空之城》MyNeighborTotoro,1988film《龙猫》Kiki'sDeliveryService,1989film《魔女宅急电》PrincessMononoke,1997film《幽灵公主》SpiritedAway,2001film《千与千寻》(winner,AcademyAwardforBestAnimatedFeature,2002)Howl'sMovingCastle,2004film《霍尔的移动城堡》(nominee,AcademyAwardforBestAnimatedFeature,2005)Ponyo,2008film《悬崖岸上的金鱼姬》41ValleyoftheWind,1984filmMiyazaki’sStyles

Miyazaki'sworksarecharacterisedbytherecurrenceofprogressivethemes,suchasenvironmentalism,pacifism,feminism,andtheabsenceofvillains（反派角色）.Hisfilmsarealsofrequentlyconcernedwithchildhoodtransitionandamarkedpreoccupationwithflight.EventhoughMiyazakisometimesfeelspessimisticabouttheworld,hepreferstoshowchildrenapositiveworldviewinstead,andrejectssimplisticstereotypesofgoodandevil.42Miyazaki’sStylesMiyazaki'swEnvironmentalism（环保主义）Miyazaki'sfilmsoftenemphasizeenvironmentalism.InaninterviewwithTheNewYorker,Miyazakiclaimedthatmuchofmoderncultureis“thinandshallow（肤浅）andfake",“nature—themountainsandrivers—wasbeingdestroyedinthenameofeconomicprogress.“Miyazakiiscriticalofcapitalism,globalizationandtheirimpactsonmodernlife.Commentingonthe1954AnimalFarmanimatedfilm,hehassaidthat“exploitationisnotonlyfoundincommunism（共产主义）,capitalismisasystemjustlikethat.Ibelieveacompanyiscommonpropertyofthepeoplethatworkthere.Butthatisasocialisticidea.“Nonetheless,hesuggeststhatadultsshouldnot"imposetheirvisionoftheworldonchildren."43Environmentalism（环保主义）104411Pacifism（反战主义）PrincessMononokeandHowl'sMovingCastlefeatureanti-warthemes.In2003,whenSpiritedAwaywontheAcademyAward（奥斯卡金像奖）forBestAnimatedFeature,Miyazakididnotattendtheawardsshowpersonally.Helaterexplainedthatitwasbecausehe"didn’twanttovisitacountrythatwasbombingIraq".45Pacifism（反战主义）12Feminism（女性主义）MiyazakihasbeencalledafeministbyStudioGhibliPresidentToshioSuzuki,inreferencetohisattitudetofemaleworkers.Thisisevidentintheall-femalefactoriesofPorcoRosso（红猪）andPrincessMononoke（幽灵公主）,aswellasthematriarchal（女族长制的）bath-houseofSpiritedAway.ManyofMiyazaki‘sfilmsarepopulatedbystrongfemaleprotagonists（主人公）thatgoagainstgenderrolescommoninJapaneseanimationandfiction.46Feminism（女性主义）13IncontrasttoAmericananimation,thescriptandstoryboardsarecreatedtogether,andanimationbeginsbeforethestoryisfinishedandwhilestoryboardsaredeveloping.Especialcreationprocess：1：exertimagination尽情的想象47IncontrasttoAmericananimat4815Miyazakitakesaleadingrolewhencreatinghisfilms,frequentlyservingasbothwriteranddirector.Hepersonallyreviewedeveryframeusedinhisearlyfilms,thoughduetohealthconcernsoverthehighworkloadhenowdelegatessomeoftheworkloadtootherGhiblimembers.Ina1999interview,Miyazakisaid,"atthisage,IcannotdotheworkIusedto.IfmystaffcanrelievemeandIcanconcentrateondirecting,therearestillanumberofmoviesI'dliketomake."2：Commitment全身心的投入49MiyazakitakesaleadingroleMiyazakiusesveryhuman-likemovementsinhis

animation.Inaddition,muchoftheartisdoneusingwatercolors.个人的画风50Miyazakiusesveryhuman-likeMiyazakihasusedtraditionalanimationthroughouttheanimationprocess,thoughcomputer-generatedimagerywasemployedstartingwithPrincessMononoketogive"alittleboostofelegance".However,inhis2008filmPonyo,Miyazakiwentbacktotraditionalhand-drawnanimationforeverything,saying"handdrawingonpaperisthefundamentalofanimation."StudioGhibli'scomputeranimationdepartmentwasdissolvedbeforeproductiononPonyowasstarted,andMiyazakihasdecidedtokeeptohanddrawnanimation.

3：insistencetradition对传统的坚持handdrawanimation51Miyazakihasusedtraditional5219

53

205421LupinIIICastleofCagliostro卡里奥斯特罗之城（1979）.NausicaaoftheValleyoftheWinds

风之谷(1984)55LupinIIICastleofCagliostroLaputa:C