The Attitude of Hemingway towards Code Hero《老人与海》中海明威对硬汉的态度

1、老人与海中海明威对硬汉的态度the attitude of hemingway towards code hero from the old man and the seaabstract:the novel the old man and the sea exalts the hero with the strong spirit known as “grace under pressure”, which is actually an attitude towards life that hemingway had been trying demonstrate in his works,

2、 this kind of spirit can not be defeated. this novel presents creating theme of hemingway and it expresses the meaning of life all his lives. it is a perfect work which shows the writers exquisite narration. this novel wins the pulitzer in 1954, and it promotes hemingway won the nobel prize in 1954.

3、the aim and meaning of this paper is to show the code hero created by hemingway and the change of hemingways attitude towards the code hero. this paper introduces the definition of the code hero and how the code hero presented in the novel the old man and the sea first, then introduces the changing

4、of writers background and social background, at last shows the writers different attitude towards the code hero which divided in the early period and latter period. through the analyzing of the different period, the paper shows the change of the writers attitude. through the paper, we can learn hemi

5、ngways different attitude towards life, through hemingway, we can learn the society is cruel but worthy fighting for in the early period, but latter the writer began to doubt whether it is worth fighting for.key words: the old man and the sea; hemingway; attitude; change; code hero摘要:小说老人与海赞扬了主人公被称作

6、“重压力之下的优雅风度”精神，它实际上是海明威一直在作品里表达的对生活的态度，这种精神是不能被打败的。该小说体现了海明威的创作中心主题，表达了他自己终生对人生的感悟。它是一篇充分反映出作者精湛的叙事艺术的精品。该小说获得1953年的普利策奖，而且也促使海明威获得1954年的诺贝尔文学奖。本选题的目的及意义在于展示海明威塑造的“硬汉精神”以及海明威对“硬汉精神”态度的转变。这篇论文首先介绍了“硬汉精神”的定义以及展现在小说老人与海中的“硬汉精神”，然后介绍了作者和社会背景的变化，最后从早期和晚期两个部分来展示作者对“硬汉精神”态度的转变。通过对不同时期的分析，这篇论文表明了作者态度的转变。通过这

7、篇论文，我们可以知道海明威对生活的不同态度，通过海明威，我们可以知道在早期，他认为这个社会是残酷的，但值得拼搏，但到了后期作者开始怀疑值不值得拼搏。关键字:老人与海；海明威；态度；变化；硬汉精神contentsintroduction1i. hemingway code hero11.1 hemingway code hero11.2 hemingway code hero in the old man and the sea2ii. hemingways different attitudes towards hemingway code hero52.1 social background

8、52.2 writers background62.3 attitude in the early period72.4 attitude in the latter period9conclusion1011introductionthe novel the old man and the sea is hemingways most important and most famous works. it wins pulitzer in 1954, and it promotes hemingway won the nobel prize in 1954.through this nove

9、l, this paper shows the code hero in the novel, the undefeated spirit and presents the writer hemingways different attitudes towards the code hero.the novel the old man and the sea is regarded as one of the classics which has great effect on history and the hero of the novel santiago is regarded as

10、the tough guy image which can not be overcame in the literature history. this paper is studied by many people at home and abroad. paul smith writes a book new essays on hemingways short fiction, shows us about the code hero in his novels. cao yu writes a book, a guide to the best works in american l

11、iterature, which shows us the hemingways background and the theme of his novels. more and more writers have new ideas about hemingway and his novel the old man and the sea.this paper introduces the definition of the code hero and the code hero presented in the novel the old man and the sea first, th

12、en introduces the changing of social background and writers background, at last shows the writers different attitudes towards the code hero which divided in the early period and latter period. this paper shows the writers different attitude towards his code hero and towards life. both the hero santi

13、ago and hemingway show to us that world is cruel but worth fighting for. man should fight in his battle for what he thinks is treasure no matter he is in good condition or not. the world is beautiful whenever it offers you treasures or dangers. do not lose hope and complain to the world but win your

14、 honor with your fight. but through this novel, we can see hemingway began to doubt whether it was worth fighting for, and he yielded at last.i. hemingway code hero1.1 hemingway code herohemingway hero, also called code hero, is one who wounded but strong, more sensitive, enjoys the pleasure of life

15、 in face of ruin and death and maintains, through the notion of a code, an idea of him. hemingway wrote all his life about the theme “grace under pressure” and his code hero with stoic courage lives by a pattern which gives life meaning and value. his code hero lives constantly with the idea of deat

16、h. he lives intensely when he is in the direct presence of death. he realizes human dignity and integrity can not be bargained for the forces of darkness. in such a chaotic and meaningless world, man fights a solitary struggle against a force he does not even understand. the awareness of his final d

17、efeat and inevitable death, however hard he strives against it, engenders a sense of despair despairing courage a code of honor. this enables a man to behave like a man, to assert his dignity in face of adversity. his code hero often devotes himself to all types of physical pleasures as rewards of h

18、is life.1.2 hemingway code hero in the old man and the seafrom the very first paragraph, santiago is characterized as someone struggling against defeat. he has gone eighty-four days without catching a fish he will soon pass his own record of eighty-seven days. but the old man refuses the defeat at e

19、very turn: he resolves to sail out, without considering his bad luck.the old man is very pale and old and he is alone, but although he is old, he does not give up. his appearance contrasts with his enthusiastic inner heart. when hemingway describes the character, he presents the old mans old and gre

20、y in the outer side and the power in the inner side, through his appearance and his eyes:“the old man was thin and gaunt, with deep wrinkles in the back of his neck. the brown blotches of the benevolent skin cancer the sun brings from its reflection on the tropic sea were on his cheeks. the blotches

21、 ran well down the sides of his face and his hands had the deep creased scars from handling heavy fish on the cords. but none of the scars were fresh. they were as old as erosions in a fishless desert.” “everything about him was old except his eye and they were the same color as the sea and were che

22、erful and undefeated.” (hemingway 2005: 2)through the character santiago, the two different kind of counterbalance shapes the character with the great tensile force, and it strengthens the readers prospect and the sense of reality to the character: firstly santiagos bad luck for 84 days and the brok

23、en sail symbolizing “the flag of permanent defeat” contrasts with “the undefeated eyes”. secondly, the badly injured body contrasts with the clear happy eyes. the failure and bad luck is permanent in others eyes, but it does not have great effect to santiago. he still believes that he will have good

24、 luck and he will catch a big fish through his rich experience and perfect, skill. it fully shows the tough guys unyielding spirit.“i may not be as strong as i think,” the old man said, “but i know many tricks and i have resolution.” (hemingway 2005: 21) the old man said so confidently. although he

25、clearly knows his weakness in his physical body, he believes that he has advantages in his will and experience. his words are short but full of power, without superfluous words and additional explanation. his words make the child and readers much believe him!except the energetic eyes of the old man

26、.hemingway makes the readers sense other powerful parts in santiago through the eyes of the child. both the powerful shoulders and the strong neck show the entailed power: “they were strange shoulders, still powerful although very old and the neck was still strong too and the creases did not show so

27、 much when the old man was asleep and his head fallen forward.” (hemingway 2005: 14)this kind of old but not bad physical body composes as one of the basic power to believe him. as a fisherman who constantly content against the nature, he deeply knows how to use skill and resistance to win the battl

28、e. he has no fancy to his ability and boasts himself arrogantly. he just waits for the chance to prove his ability. so he has no strong feeling to the child praise, just one sentence: “thank you. you make me happy. i hope no fish will come along so great that he will prove us wrong.” (hemingway 2005

29、: 21) this simple sentence presents the old mans calmness before the battle. his words have great force which shocked the readers.santiagos act is as his words, terseness but precise without more action. his every act just like precisely calculated. for example, his act of putting off clothes, nimbl

30、e and practical, the reads are personally on the scene: “he rolled his trousers up to make a pillow, putting the newspaper inside them. he rolled himself in the blanket and slept on the other old newspapers that covered the springs of the bed.” (hemingway 2005: 14)he is simple, poor but not stingy h

31、umble or demanding. he is worth of praising. the writer hemingway has spiritual sustenance on the character; no matter how hard and difficult the conditions is, no matter what the states of human beings are, it is important to keep mans dignity. this kind of dignity will not add or drop with the mor

32、e or the less of the fortune and the good or bad luck. it is the essential part of an actually perfect life.there are so many details about the tough guys strong spirit in the novels.santiago, with an overwhelming spirit, makes great preparations to catch a big fish on the sea. one morning, he saile

33、d to the ocean depths himself, that afternoon he caught a huge martin, which is bigger than his ship. this fish pulled his ship to the north and the east for two days and two evenings. santiago tried his best to tighten the fishing line. he stands with the fish with great resistance. until the third

34、 day, he pulled the fish to the surface, and killed it with fish spear. but the fish was bigger than the ship; he had to tie the fish to the shipside to take it home. however he regretted to catch the fish, when the dangerous and giant sharks ran after the blood, they bit a bit and a bit. when he ca

35、me back to the harbor, the martin left to a skeleton. although the result of the battle is vain, the competing process is exciting. the “tough guy” santiago brings his physical energy into full play in the conflict with the fish. but in the end of the novel, we can read that santiago talks about his

36、 next plan to fish with marlin:“now we fish together again.”“no. i am not lucky. i am not luck any more. ”“the hell with luck,” the boy said, “ill bring the luck with me.” . “we must get a good killing lance and always have it on board. you can make the blade from a spring leaf from an old ford. we

37、can grind it in guanabacoa. it should be sharp and not tempered so it will break. my knife broke.” (hemingway 2005: 157)santiago is not being defeated; the failure of this catch leaves his fatigue and more experience and skills. at the same time, he can use his failure to instruct marlin, make this

38、failure have great effect on marlin. so the though guy spirit will extent and expand.when the old man hasnt fished anything for a long time, or he is far away from the achievement for some reasons, he does not feel depress or give up fishing. but insists to go and have a try again. it shows the resi

39、stance to failure. hemingway also does not give up when all of the world think he is run out of ability. both the old man and hemingway believe what they think as precious, and keep on searching for it. after the old man gets marlin out of his imagination, he fights to protect his achievement with s

40、harks. the old man never gives up even facing the enemy more powerful than himself. being similar with the old man, hemingway never agrees with the report that hemingway was the history. they both can not be conquered by the so called fate.ii. hemingways different attitudes towards hemingway code he

41、ro2.1 social background“literature is the reflection of society. the 1910s to 1930s was regarded as modernism.” (余孝明 2001: 158) the life of the early 20 years of 20th century has greatly changed. the new inventions made people travel in the world with an unprecedented speed. the telephone, the radio

42、 and the books, the newspapers is so universal that they not only made people feel exciting but also let them trapped in the ambivalent life style and thought. the first world war was one of the most important events in the period of modernism. the great war destroyed the generation of the europeans

43、 in that time, but also killed tens of thousands of americans. too many people, they maintain the view that the first world war is the drastic failure of the old values, old policies and the old thoughts. the world after the first world war was quite different. all the old certainties were gone, and

44、 everything was new. the disillusionment with the lives of the people drastically, and the mobility that this brought about and with it the lack of supervision, and all this happening at the same time as the rise of the gangsters, the enforcement of the prohibition and the loss of respect for the la

45、w under these circumstances, social life was going through very odd changes. there was affluent and excitement on the one hand, and on the other hand, disturbing indications that the world was simply dying. hemingway reacted to it, he did not describe it. he went away to europe and wrote about the e

46、xpatriates. his world was basically rootless. the other circumstances that made hemingway wrote the novel was hemingways writing capability had been questioned by people at that time. under kinds of gossip, hemingway decided to write the old man and the sea which had been constructed in his mind for

47、 more than 10 years. at last, this masterpiece proved his writing talent. all the tragic experience had great effect on hemingway. so his characters with code hero were set in the bad conditions. they must struggle against their fate.2.2 writers background“earnest miller hemingway was born in a well

48、-to-do family in oak park, illinois near chicago, on july 21st, 1899. he was an american nobel prize winner in literature (1954), a spokesman for the lost generation. after he got the nobel prize, he ended his life by himself. his life was filled with many kinds of adventures that represent in his w

49、orks.”(徐葆耕 2002: 56)hemingways style of living as an adult and the fact that his books abound in sports terms are partly traceable to his early life. as a boy, hemingway liked boxing and football and wrote light verse and humorous stories. he had on the whole a happy boyhood thought he did run away

50、from home twice and observed once that the best training for a writer is an unhappy boyhood. on july 8, 1918 he was severely wounded in the knee in italy. he recovered in time and remained with the italian army until the end of the war. his war experience proves so shattering and nightmarish that hi

51、s life and writings were permanently affected. in a sense, all his life he lived with it emotionally and continued to write about it in order to relive it and forget about it.he settled down in paris and worked on some short impressionist stories. gradually a distinct style of his own began to evolv

52、e, and together with it a hemingway theme with a hemingway hero. in one sense hemingway wrote all his life about one theme, which is neatly summed up in the famous phrase ,”grace under pressure,” and created one hero who acts that theme out. the book that appeared in 1925, in our time, is interestin

53、g precisely because for the first time, a hemingway hero appears on the scene to learn to live in grace under pressure. and his finest novels, the sun also rise (1926); and a farewell to arms (1929), seemed distant and unfulfilled; hemingways nonfiction of the 1930s; death in the afternoon (1932) an

54、d green hills of africa (1935), had been disappointing by comparison, and a “novel” like to have and have not (1937), two previously published short stories hastily cobbled together, seemed a shocking performance from a craftsman once so exacting; across the river and into the trees (1950) had been

55、savaged by the critics, and hemingway was widely considered to be a has-been. the old man and the sea (1952), however, was hailed as hemingways triumphant return. william faulkner as hemingways strong competitor was ever said “time will show that this novel (the old man and the sea) would be the mos

56、t brilliant medium-length novel for our time”.hemingway was a myth in his own time and a myth in american literature. he was a glamorous public hero of sorts whose style of writing and living was probably more imitated than any other writers in human memory. he was so precisely because he acted out

57、the theme of his own books. that was why he liked sports of all kinds and was thought of as one going deep-sea fishing, big game hunting, going into the bullring or becoming a prize ring boxer. his public image was one of a tough guy whom even an air-crash could not kill. during 1930s and the 1940s

58、his non-literary activities were widely published and did more to advance his reputation. in 1942 he began to work for the united states navy and for two years scoured the cuban coast to seek to help destroy enemy ships. in 1944 he went on several flights with the british air force as a reporter. he

59、 took part in the landing of the allied forces on the french coast and fought with a small force of his own in paris before the french entered their capital themselves. he was injured many times, suffered at least a dozen injuries to the brain, and survived three bad automobile accidents and two air crashes. from the wounds, 237 stee