X档案第九季全英文剧本

1、x档案第九季第一集 氯胺疑魂 nothing important happened today-due to some violent content, parental discretion is advised. -scene 1 baltimore, maryland 9:27 pm (fade in. a warmly lit baltimore bar. we see a mans hand, that of carl wormus, inside a tumbler of scotch, removing an ice cube out of his drink. he is si

2、tting at the bar and tosses the ice onto the ground behind him. he turns to see a woman, shannon mcmahon, walking into the bar. we do not see her face, just her torso and her arm from the side. she is dressed up in a low-cut black dress. she slides into a seat at the bar. we can now see her strong f

3、ace and long dark hair.) shannon mcmahon: (to the bartender) vodka on the rocks. (the bartender pours her drink for her on the bar.) (carl wormus rises up and moves over to shannon mcmahon and sits at the seat next to her.) carl wormus: hi. how are ya? shannon mcmahon: thirsty. carl wormus: (turning

4、 to the bartender for another drink) um, straight up. and no ice this time. (turning back to shannon mcmahon) carl wormus: i tell this guy about the ice and then he pours me a scotch rocks. shannon mcmahon: whats wrong with the ice? carl wormus: its the water, actually, in the ice. im kind of an exp

5、ert on it. shannon mcmahon: well, whats wrong with it? carl wormus: no big secret. its been in the news. government additive. something they call chloramine. shannon mcmahon: yeah, they say thats good for us, its like fluoride or something. carl wormus: well, thats what they say. look, um, i didnt s

6、it down here to scare you. (he smiles) on the contrary. shannon mcmahon: (with a smile) would you like to get some air? (cut to: night. outside. carl wormus and shannon mcmahon are seated in the front of his silver convertible, driving along a road.) carl wormus: long way to go for a drink, huh? (no

7、 response.) carl wormus: do you like living out here? (shannon mcmahon just smiles, without saying a word. he grins, but seems to be getting impatient.) carl wormus: how much farther? shannon mcmahon: just over the bridge. (cut over to: a bridge over the river. it is a drawbridge over the potomac ri

8、ver and now it is in the process of rising up. the barricade is being closed and we see the lights of the carl wormuss car approaching at speed.) (cut back: in the car. carl wormus is slowing the car down because of the rising bridge. shannon mcmahon slowly puts her left hand down on the carl wormus

9、s right leg. he smiles, as she does it. all of a sudden, she presses her hand down firmly on his leg pressing his foot down on the accelerator. the car begins speeding up.) carl wormus: (alarmed) what the hell you doing? (shannon mcmahon just stares ahead of her.) carl wormus: let go! (she leans ove

10、r and grabs the steering wheel. the car is still speeding up as it nears the barricade.) carl wormus: youll gonna kill us! (the car crashes through the barricade and flies off the bridge, straight into the water. once in the water, it sinks to the bottom of the river quickly. shannon mcmahon appears

11、 to be unconscious, just sitting in her seat motionless. carl wormus struggles to release his seatbelt to swim to the surface. with a little effort he manages to release himself and begins rising up. suddenly, shannon mcmahon opens her eyes, outstretches an arm and grabs him by his ankle. carl wormu

12、s desperately tries to escape her grip and get to the surface, but shannon mcmahon pulls him back down towards the car. we see carl wormuss outstretched arm slowly drift down out of the shot.) fade to black - -scene 2 cut to: (scenes from the last two episodes from season 8, essence, 8x20 and existe

13、nce, 8x21.) chris carter: (voiceover) last season on the x-files . (knowle rohrer and doggett talking in the x-files office.) knowle rohrer: there was a rumoured program out of the cold war. a plan to create a super-soldier. (a series of shots showing billy miles beheading duffy haskell, a shot of a

14、 deformed embryo inside a jar and a shot of scully lying on an examination table in the hospital. this shot is from per manum, 8x08.) doggett: i didnt want to believe it. he said agent scullys a part of that program too. cut to: (krycek talking to mulder, scully, skinner and doggett in an fbi office

15、.) krycek: your baby was a miracle. scully: my baby is normal. cut to: (billy miles falling down from the roof of an fbi building.) krycek: she may never even make it out of this building. (doggett and skinner in the car in the fbi parking garage with agent crane on the roof of their car and knowle

16、rohrer in pursuit.) skinner: get him off! cut to: (scully and reyes in their hiding place in democrat hot springs. surrounded by a bunch of alien replicants. billy miles is one of them.) scully: this is my baby! please dont let them take it! reyes: push, dana! cut to: (doggett and reyes in kershs of

17、fice.) doggett: this office is under investigation. for the late-night meeting between you and an intelligence operative named knowle rohrer. kersh: you investigate what i tell you. (doggett and reyes standing in the doorway of the office.) doggett: you put me on the x-files. cut to: (mulder and scu

18、lly at scullys home in her bedroom holding their new son william between them.) mulder: i think what we feared were the possibilities. the truth we both know. (mulder leans closer to scully and they kiss.) -scene 3 washington, d.c. 48 hours later (day. a beautiful shot of the washington monument.) c

19、ut to: (inside scullys apartment. theres a person taking a shower in her bathroom. although we do not see the figures face we know that it is mulder. then we hear babys cries, as the camera pans out of the bathroom into the bedroom where scullys little boy, william, is crying louder and louder. scul

20、ly closes the bathroom door so that mulder does not hear the cries and picks up her little son. scully: (to william) its going to be okay . she pats him on his back and walks with him into the living room, gently holding him in her arms. on the living room floor we see several packed suitcases.) -sc

21、ene 4 (doggetts house. we hear an alarm clock ringing. hes lying on his stomach in his bed asleep. he wakes up. when he rolls over onto his back he winces at the sight of bruises on his chest.) (cut to: reyess hotel room. shes also asleep. a phone rings and she wakes up. reyes slides over the bed to

22、 answer the ringing phone. shes also chest-naked and we see her from behind her.) reyes: (on phone) hello? man on phone: (voice) monica, its me. did i wake you? reyes: (still waking up, recognizing the voice of the man on the phone) brad. um-hmm, no, im awake. (cut to: the office of assistant direct

23、or brad follmer.) follmer: (on phone) youre in town? reyes: (on phone, voice) yeah, i, i came in on short notice. follmer: (sitting down into his chair, on phone) listen, if youre coming into the hoover building can you stop by my office on your way in? (cut back: to reyes. camera pans around her fa

24、ce.) reyes: (on phone) yeah. sure. i can do that. follmer: (on phone, voice) good. looking forward to it. -scene 5 (cut back: to doggetts house. the kettle on the stove whistles. he pours some boiling water into a cup. as hes making his breakfast, he listens to a news report on tv.) tv announcer: .

25、last night. the 38 year old body of carl wormus, a deputy administrator for the environmental protection agency was pulled from the potomac by divers this morning . (on tv, we see images of carl wormuss car being pulled out of the water.) cut to: (follmers office, hes watching the same news report a

26、s doggett.) tv announcer: . it appears wormus drove his car through a barricade on the drawbridge into the river. a police spokesperson said it appears he was alone in the car . (when he hears some noise from the outer office, he shuts the tv off, and walks over to the door leading out of his office

27、. he opens it, surprising reyes whos been leaning over his assistants desk.) follmer: monica? (reyes turns around, surprised.) reyes: hi. follmer: what you doing? reyes: (shyly) i was leaving you a note. your assistant was out and . i didnt want to knock. i was gonna call you, uh. um, hi, brad. foll

28、mer: (inviting her into his office) come on in. (reyes walks into the office, follmer entering after her and closing the door behind them. reyes turns to face follmer just at the moment as he leans toward her and kisses her on her lips. she pulls back a little.) follmer: (surprised) what? reyes: wer

29、e at work. follmer: (with a grin) you used to ask me to close the door at work back in new york. reyes: is that all you called me here for, assistant director? follmer: i probably shouldnt tell you how hot you look either, because you do. how longs it been? two years? reyes: (nodding) yeah. we shoul

30、d catch up, brad. really. ive got to get downstairs. (reyes is on her way out of the office, but follmers words stop her.) follmer: ive got something for you. (reyes turns around to follmer as he sinks into his chair, pulling two videotapes out of his desk drawer.) follmer: forgive me, but. uh. it d

31、idnt take a whole lot of digging to figure out why youre here in d.c., monica. reyes: (seeing the tapes) what are those? follmer: something youre gonna see. but i wanted to show you first. they were taken from security cameras in the fbi parking garage. one of them (putting one of the tapes on his d

32、esk) . shows you arriving in a cab meeting with john doggett. reyes: yeah, im working with him. he called me up here on a case. follmer: (still holding the second tape) i heard. believe me, (leaning back in his chair) this whole thing about a chase and a crash and a fire. and now doggetts internal i

33、nvestigation of deputy director kersh . its . big news. reyes: whats so important to show me? (follmer does not respond. he sits at his desk looking back at monica.) reyes: whats on the other tape? -scene 6 (cut to: elevator doors opening. we see doggett standing inside the elevator. deputy director

34、 kersh was waiting for the elevator and now enters, glaring at doggett, whos glaring back at him. the doors close and as the elevator begins moving as kersh stands beside doggett.) kersh: (smugly) hows your investigation going, john? have you turned up any incriminating evidence on me yet? doggett:

35、its only monday morning, sir. its nothing personal, deputy director. i hope you know that. kersh: i know, john. i think weve pretty much always seen eye to eye. im sure if you cant find anything on me, john, nobody can. (the elevator doors open and as kersh walks out of the elevator, doggett stares

36、hardly after him.) -scene 7 (cut to: the x-files office. reyes is watching the video footage. she looks up as doggett walks in.) reyes: hi. how you doing? (doggett, clearly frustrated by something, says nothing and walking into the office he puts his coat off.) reyes: that good? doggett: (frustrated

37、, rolling up his sleeves) i didnt ask to be put down on the x- files. deputy director kersh put me down here. im just doing my job. what did they think? that id be thankful? that id do anything less? reyes: its not gonna be easy, john. doggett: hell no it isnt. im going after the deputy director, th

38、e one man removed from the head of the fbi. reyes: no, i mean it may be impossible. (his interest piqued, doggett walks over to reyes. he looks at the tv screen and sees a video-recording of an empty parking garage.) doggett: whats this? reyes: a security tape two nights ago from the fbi garage. you

39、re not on it. doggett: what are you talking about? (he grabs a remote controller and begins scanning the tape. it shows that the garage is empty.) doggett: no. this is the wrong damn tape. reyes: ive been backwards and forwards on it. theres nothing there. doggett: (insisting) we were chased. ad ski

40、nner and i were attacked and chased. this man knowle rohrer drove his car into the garage wall and it blew up in a ball of flames. reyes: not on this tape. (doggett ejects the tape out of the recorder and looks at it.) doggett: whered you get this? reyes: from someone who wanted to give me a heads-u

41、p. doggett: they cant just make this all go away. theres evidence down in that parking garage, there were victims. reyes: i went down to that garage, john. whatever happened, theyve had 48 hours now to clean it up. doggett: there were witnesses. reyes: witnesses who are gonna stand up to this tape?

42、(doggett stares at her for a moment, then puts his coat back on and walks out of the office. reyes, frustrated, watches him go. she exhales heavily.) -scene 8 (doggett opens the door to mulders apartment.) doggett: mulder? (hearing no one, he walks into the apartment. its empty. completely empty. no

43、 furniture. no fish tank. nothing. camera pans around him. empty walls. empty floors.) doggett: mulder, you here? (doggett looks around and seeing the whole apartment empty, he turns and walks out.) -scene 9 greater maryland water reclamation facility (camera pans around a big dark tank full of wate

44、r. theres a worker, roland mcfarland walking around it, wearing overalls and a white hard-hat. he does not notice several bubbles floating to the surface of the water. as he goes to the side of the tank, shannon mcmahons head emerges from the water. she intently watches roland mcfarland walking away

45、, just keeping her nose below the water. he walks toward a phone and she swims to the far edge of the tank. the roland mcfarland picks up a phone receiver and makes a call.) operators voice on phone: naval telecommunications command. (hes holding a newspaper in his hand, containing the obituary of c

46、arl wormus.) roland mcfarland: yeah, i need to make a shore to ship call, to the u.s. valor victor. operators voice on phone: sir? . (he turns around to the tank and notices the naked shannon mcmahon walking away from the tank, her back turned to him. he drops the phone receiver, takes out his gun a

47、nd runs after the woman.) operators voice on phone: sir? . -scene 10 (scullys apartment. theres a knock at the door. scully answers it. doggetts standing there, looking panicked.) scully: what? whats the matter? doggett: whats the matter? ive been trying to call you. scully: yeah, the phones off the

48、 hook because of the baby. doggett: i got panicked that youre not going to be here, that you left, too. scully: (after an uncomfortable pause) come in. (scully closes the door behind him.) doggett: ive been looking for mulder. i went to his apartment. scully: i know. doggett: whered he go? (scully l

49、ooks as if shes going to cry. music is sad, perfectly reflecting a mood of this scene.) doggett: (emphatically) dana. whered he go? (scully looks down a moment, then back at doggett.) scully: hes gone. (doggett is stunned.) scully: hes just . gone. (doggett looks away for a moment, then back at scul

50、ly. he sighs.) -scene 11 (back at the water reclamation facility roland mcfarland is still walking around and looking for shannon mcmahon. seeing no one, he turns around, then turns back at a noise in front of him. shannon mcmahon is standing there, naked. the next shot is from under the water as sh

51、annon mcmahon and roland mcfarland hit the water surface of the tank and she pulls him down, deep into the water, holding his sleeve in her hand. hes struggling to get out of her grasp, but she continues pulling him down into the blackness .) -scene 12 (skinners office. day. reyes is sitting there i

52、n front of skinners desk. skinner is sitting in his chair behind his desk.) skinner: (to reyes) i dont know where mulder is. i dont know that id tell you if i did. (the door opens and doggett enters the office.) reyes: (to doggett) i checked with movers, airlines, car rental agencies. no mulder. doggett: somebody get to him, that it? that doesnt seem possible, does it? (he turns to skinner) okay, so where does that leave us? just me and you, our word against kersh and the fbi. reyes: youd better sit down, john. its more complicated than that. doggett: whats more complic